Director Neill Blomkamp is known for inventive depictions of extraterrestrial warfare, like in District 9 (2009) and Elysium (2013). True to form, his latest short, Rakka, features a richly textured post-apocalyptic world where humans and otherworldly creatures battle over their entwined fates. And in keeping with sci-fi tradition, the queen of alien ass-kicking, Sigourney Weaver, leads a group of people who have planned a rebellion against the creatures who “came here to exterminate us.”
Rakka does feel somewhat like an extended trailer, and that is by design. The film is the first release from Blomkamp’s new venture, Oats Studios, which is an experimental incubator for feature-length ideas and new storytelling formats. The studio has released the film for free, but asks audiences to support its future work by voluntarily paying for the work in return for some digital assets like scripts, concept art, and 3D models.
Blomkamp told The Verge that Rakka is just the seed of a larger project, whose form is yet unknown. “Rakka feels like it could almost be more of an episodic thing,” he said, “because there’s a lot of avenues to explore. The footage is too unconventional and weird [for a mainstream feature], and the audience has to think of the footage as a snapshot of the window of this world.”
Mondo Tees has announced the THE THING ™ INFECTION AT OUTPOST 31, their very first board game in collaboration with USAopoly’s designer games division, Project Raygun. The regular version of the game will be in stores and online nationwide this October, and a limited edition Mondo exclusive version will be available at MondoTees.com.
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An alien lifeform has infiltrated a bleak and desolate Antarctic research station assimilating other organisms and then imitating them. In the hidden identity game THE THING ™ INFECTION AT OUTPOST 31, you will relive John Carpenter’s sci-fi cult classic in a race to discover who among the team has been infected by this heinous lifeform.
The game has been designed to be as authentically cinematic as possible, ensuring that the players will experience the paranoia and tension that makes the film so great.
“Mondo brought more than their storied design acumen to the table,” said Joe Van Wetering, Creative Design and Game Development at Project Raygun. “Thanks to their deep understanding and reverence for THE THING, they helped define the tone and shape the game play itself. INFECTION AT OUTPOST 31 reflects a true collaboration between our two brands resulting in a game that will excite table top and film aficionados alike.”
The regular version of the game features artwork and designs by Justin Erickson of Phantom City Creative. The Mondo exclusive version, sold exclusively through MondoTees.com, is limited to 1,982 copies, and features different packaging artwork by Jock. The limited edition game will also come with a Mondo print, enamel pin and two additional sculpted movers: the Norwegian character and the Palmer Thing.
Commenting on the design, artist Justin Erickson said, “with THE THING box art, I wanted to focus on the isolation of Outpost 31 and hint at the hidden alien dangers that lurk around every corner. The title of the game cut out of the ice/snow is a call back to the Thing originally being cut out of the ice by the Norwegians.”
The Thing™ Infection at Outpost 31 Gameplay
It is the start of the bleak, desolate Antarctic winter when a group of NSF researchers manning the claustrophobic, isolated U.S. Outpost 31 comes into contact with a hostile extra-terrestrial lifeform. Bent on assimilating Earth’s native species, this being infiltrates the facility—creating a perfect imitation of one of the Outpost 31 crew. The staff frantically begin a sweep of the base, desperate to purge this alien infection before escaping to warn McMurdo Station that somewhere, out there in the frigid darkness, something horrible is waiting.
In THE THING™ INFECTION AT OUTPOST 31, relive John Carpenter’s sci-fi cult classic as a hidden identity game designed to push you to the edge. Play as one of a dozen characters like helicopter pilot MacReady, mechanic Childs, or station manager Garry. Face sabotage and infection as you investigate the facility—gather gear, battle The Thing, expose any imitations among you, and escape Outpost 31!
Sir John Hurt, who won a BAFTA and an Oscar nomination for his iconic portrayal of the Elephant Man, has died. The star, one of Britain’s most treasured actors, died aged 77 at his home in Norfolk after a long battle with pancreatic cancer, it was revealed yesterday.
His widow, Anwen Hurt, today said it will be ‘a strange world’ with out the actor, whose death has prompted an outpouring of grief from the showbusiness industry, with director Mel Brooks and J K Rowling among those paying tribute. Mrs Hurt added: ‘John was the most sublime of actors and the most gentlemanly of gentlemen with the greatest of hearts and the most generosity of spirit. He touched all our lives with joy and magic and it will be a strange world without him.’
Despite revealing that he had been diagnosed with pancreatic cancer in the summer of 2015, Hurt was matter-of-fact about his mortality.
Speaking to the Radio Times, he said: ‘I can’t say I worry about mortality, but it’s impossible to get to my age and not have a little contemplation of it. We’re all just passing time, and occupy our chair very briefly,’ he said.
Born in Derbyshire in 1940, the son of a vicar and an engineer, Hurt spent what he described as a lonely childhood at an Anglo-Catholic prep school before he enrolled at a boarding school in Lincoln.
His acting aspirations were almost shattered forever by his headmaster’s insistence that he did not stand a chance in the profession. He left school to go to art college but dropped out, impoverished and living in a dismal basement flat.
He finally plucked up enough courage to apply for a scholarship and auditioned successfully for the Royal Academy of Dramatic Art in London, although he later recalled being so hungry he could hardly deliver his lines.
Hurt played a wide range of characters over the course of 60 years, was well known for roles including Quentin Crisp in The Naked Civil Servant, the title role in The Elephant Man and more recently as wand merchant Mr Ollivander in the Harry Potter films. However, John Merrick notwithstanding here are a few of my personal favourte John Hurt roles:
Playing Timothy Evans, who was hanged for murders committed by his landlord John Christie, played chillingly by Richard Attenborough in 10 Rillington Place (1971), earning John Hurt his first BAFTA nomination for Best Supporting Actor/
Hurt was fantastic in Midnight Express (1978), for which he won a Golden Globe and a BAFTA and was nominated for an Academy Award for Best Supporting Actor. Around the same time, he lent his voice to Ralph Bakshi’s animated film adaptation of Lord of the Rings, playing the role of Aragorn. Hurt also voiced Hazel, the heroic rabbit leader of his warren in the exceptional film adaptation of Watership Down (both 1978) and later played the major villain, General Woundwort, in the animated television series.
His other role at the turn of the 1980s included Kane, the first victim of the title creature in the Ridley Scott film Alien (1979, a role which he reprised as a parody in Spaceballs). Gilbert Ward “Thomas” Kane is the Nostromo‘s executive officer, who during the investigation of a wrecked ship, moves closer to an egg to get a closer look. The now iconic ‘facehugger’ attaches to him and, unbeknownst to him and the crew, impregnates him with an Alien embryo. Kane remains unconscious until the facehugger dies and falls off. At dinner afterwards, Kane goes into convulsions; an infant Alien bursts through his chest, killing him in one of cinemas most famous scenes.
Hurt played Winston Smith in the film adaptation of George Orwell’s novel Nineteen Eigthy-Four (1984). Also in 1984, Hurt starred in The Hit an under-rated British crime film directed by Stephen Frears which also starred Terence Stamp and Tim Roth.
Dead Man (1995) a twisted and surreal Western, written and directed by Jim Jarmusch which also starred Johnny Depp, Billy Bob Thornton, Iggy Pop, Chrisin Glover and Robert Mitchum (in his final film role).
He also featured in a few graphic novel adaptations before they became big business for everyone, Hellboy (2004) and it’s sequel Hellboy II: The Golden Army (2008) based on the graphic novels by Mike Mignola are great fun. He also took a similar role to that of Big Brother in the film V For Vendetta (2006), when he played the role of Adam Sutler, leader of the fascist dictatorship.
More than thirty years after The Naked Civil Servant, Hurt reprised the role of Quentin Crisp in An Englishman in New York (2009), which depicts Crisp’s later years in New York. Hurt also returned to Orwell’s Nineteen Eighty-Four, playing the on-screen Big Brother for Paper Zoo Theatre Company’s stage adaptation of the novel in June 2009.
Of his latter years I particularly enjoyed his portrayal of the crotchety and bigoted Old Man Peanut in 44 Inch Chest (2009), and his support roles in Brighton Rock (2010) and Tinker, Tailor, Soldier, Spy (2011).
Rest in Peace.
I belatedly write this after hearing the sad news yesterday of the passing of Swiss surrealist painter and sculptor who created the Xenomorph alien design for Ridley Scott‘s 1979 sci-fi classic Alien died Monday after suffering injuries in a fall. He was 74. H.R. Giger‘s name became synonymous with his iconic Alien design, which originated from his own lithograph Necronom IV and went on to nab him an Oscar for Best Visual Effects.
Giger’s sexually charged “biomechanical” designs got him on Scott’s radar in the 1970’s when the artist had been working on Alejandro Jodorowsky‘s doomed version of Frank Herbert’s Dune (later directed by David Lynch). After Alien co-writer Dan O’Bannon showed Giger’s nightmarish designs to Scott, the helmer tapped Giger to design the Alien creature, eggs, planetoid Acheron AKA LV-426, and Alien ship for the film. He would go on to contribute designs to Aliens, Alien 3, Alien: Resurrection, Poltergeist II: The Other Side, Species, and Tokyo: The Last War, and was credited for original designs used in 2012′s Prometheus.
Giger, who directed his own documentary shorts in the 1960s, ’70s, and ’80s, appears in the new Sony Classics docu Jodorowsky’s Dune.