Revered cinematographer Roger Deakins has ‘never worked on a film with so many different sets and lighting challenges’ as ‘Blade Runner 2049.’
Denis Villeneuve’s sequel to Ridley Scott’s 1982 original film looks to be a jaw-dropping mix of visual feats that stay true to both the story and the technical innovation that made Blade Runner an instant classic. Villeneuve acknowledges this legacy, stating “I have massive respect for the world Ridley created. Blade Runner revolutionized the way we see science fiction.”
Villeneuve is likely the right man for the job, as he took science fiction down an entirely new road himself, ostensibly reinventing the hackneyed alien genre with 2016’s Arrival, for which he was nominated for an Academy Award in Directing.
Blade Runner 2049 indeed brings several heavy-hitters to the table to help ensure its success, including no less of a cinematographer than multiple Oscar-nominated Roger Deakins, who also shot for Villeneuve on 2015’s Sicario. No stranger to complex action movies (the James Bond hit Skyfall, for one), Deakins admits in the featurette, “I’ve never worked on a film with so many different sets and lighting challenges. Technically, it’s quite challenging.”
A little late to post I know but I hadn’t seen this until today. Luke Scott in cooperation with RED Camera presents “LOOM”. A film shot completely in 4K format in the tone and style of Ridley Scott’s dystopian Blade Runner. The film was originally intended to help showcase the prototype REDray 3D laser player. The film was constructed for 3D, the film needed to push the limits of the cameras exposure sensitivity and colour range and 4K projection. Visually the film is unmatched to date in it’s use of RED’s new technology.
Rutger Oelsen Hauer (born 23 January 1944) is a Dutch actor, writer, and environmentalist. His career began in 1969 with the title role in the popular Dutch television series Floris. His film credits include Flesh+Blood, Blind Fury, Blade Runner, The Hitcher, Escape from Sobibor (for which he won a Golden Globe Award for Best Supporting Actor), Nighthawks, Sin City, Ladyhawke, Batman Begins, Hobo with a Shotgun, and The Rite. Hauer also founded an AIDS awareness organization, the Rutger Hauer Starfish Association.
Hauer was born in Breukelen in the Netherlands, the son of drama teachers Arend and Teunke. At the age of 15, Hauer ran off to sea and spent a year scrubbing decks aboard a freighter. Returning home, he worked as an electrician and a joiner for three years while attending acting classes at night school.
Hauer joined an experimental troupe, with which he remained for five years before Paul Verhoeven cast him in the lead role of the successful 1969 television series Floris, a Dutch medieval action drama. The role made him famous in his native country, and Hauer reprised his role for the 1975 German remake Floris von Rosemund. Hauer’s career changed course when Verhoeven cast him in Turkish Delight (1973). The movie found box-office favour abroad as well as at home, and within two years, Hauer was invited to make his English-language debut in the British film The Wilby Conspiracy (1975), Hauer’s supporting role, however, was barely noticed in Hollywood, and he returned to Dutch films for several years.
Hauer made his American debut in the Sylvester Stallone thriller Nighthawks (1981) as a psychopathic and cold-blooded terrorist named Wulfgar. The following year, he appeared in arguably his most famous and acclaimed role as the eccentric and violent but sympathetic anti-hero Roy Batty in Ridley Scott’s 1982 science fiction thriller Blade Runner, in which role he improvised the famous tears in the rain soliloquy. Hauer went on to play the adventurer courting Theresa Russell in the Nicolas Roeg film Eureka (1983), the investigative reporter opposite John Hurt in Sam Peckinpah’s final film, The Osterman Weekend (1983), the hardened mercenary Martin in Flesh & Blood (1985), and the knight paired with Michelle Pfeiffer in Ladyhawke (1985).
He continued to make an impression on audiences in The Hitcher (1986), in which he played a mysterious hitchhiker intent on murdering a lone motorist and anyone else in his way. At the height of Hauer’s fame, he was set to be cast as Robocop though the role went to Peter Weller. That same year, Hauer starred as Nick Randall in Wanted: Dead or Alive as the descendant of the character played by Steve McQueen in the television series of the same name. Phillip Noyce directed Hauer in the martial arts action adventure Blind Fury (1989). Hauer returned to science fiction with The Blood of Heroes (1990), in which he played a former champion in a post-apocalyptic world.
By the 1990s, Hauer was well known for his humorous Guinness commercials as well as his screen roles, which had increasingly involved low-budget films such as Split Second, Omega Doom, and New World Disorder. In the late 1980’s and well into 2000, Hauer acted in several British and American television productions, including Inside the Third Reich, Escape from Sobibor (for which he received a Golden Globe for Best Supporting Actor), Fatherland, Merlin, The 10th Kingdom, Smallville, Alias, and Stephen King’s update of Salem’s Lot. In 1999, Hauer was awarded the Dutch “Best Actor of the Century Rembrandt Award”.
Hauer played an assassin in Confessions of a Dangerous Mind (2003), a villainous cardinal with influential power in Sin City (2005) and a devious corporate executive running Wayne Enterprises in Batman Begins (2005). In 2009, his role in avant-garde filmmaker Cyrus Frisch’s Dazzle, received positive reviews. The film was praised in Dutch press as “the most relevant Dutch film of the year”. The same year, Hauer starred in the title role of Barbarossa, an Italian film directed by Renzo Martinelli. In April 2010, he was cast in the live action adaptation of the short and fictitious Grindhouse trailer Hobo with a Shotgun (2011); The Rite (2011), which is loosely based on Matt Baglio’s book The Rite: The Making of a Modern Exorcist, which itself is based on real events as witnessed and recounted by by then, exorcist-in-training, American Father Gary Thomas. Hauer also played vampire hunter Van Helsing in legendary horror director Dario Argento’s Dracula 3D.
In April 2007, he published his autobiography All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners (co-written with Patrick Quinlan), where he discusses many of his movie roles. Proceeds of the book go to Hauer’s Starfish Association.