Welcome to 2036. Niander Wallace introduces his new line of replicants.
Thirty years after the events of the first film, a new blade runner, LAPD Officer K (Ryan Gosling), unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard (Harrison Ford), a former LAPD blade runner who has been missing for 30 years.
The first of 3 Blade Runner 2049 Short Films.
Revered cinematographer Roger Deakins has ‘never worked on a film with so many different sets and lighting challenges’ as ‘Blade Runner 2049.’
Denis Villeneuve’s sequel to Ridley Scott’s 1982 original film looks to be a jaw-dropping mix of visual feats that stay true to both the story and the technical innovation that made Blade Runner an instant classic. Villeneuve acknowledges this legacy, stating “I have massive respect for the world Ridley created. Blade Runner revolutionized the way we see science fiction.”
Villeneuve is likely the right man for the job, as he took science fiction down an entirely new road himself, ostensibly reinventing the hackneyed alien genre with 2016’s Arrival, for which he was nominated for an Academy Award in Directing.
Blade Runner 2049 indeed brings several heavy-hitters to the table to help ensure its success, including no less of a cinematographer than multiple Oscar-nominated Roger Deakins, who also shot for Villeneuve on 2015’s Sicario. No stranger to complex action movies (the James Bond hit Skyfall, for one), Deakins admits in the featurette, “I’ve never worked on a film with so many different sets and lighting challenges. Technically, it’s quite challenging.”
A little late to post I know but I hadn’t seen this until today. Luke Scott in cooperation with RED Camera presents “LOOM”. A film shot completely in 4K format in the tone and style of Ridley Scott’s dystopian Blade Runner. The film was originally intended to help showcase the prototype REDray 3D laser player. The film was constructed for 3D, the film needed to push the limits of the cameras exposure sensitivity and colour range and 4K projection. Visually the film is unmatched to date in it’s use of RED’s new technology.
Rutger Oelsen Hauer (born 23 January 1944) is a Dutch actor, writer, and environmentalist. His career began in 1969 with the title role in the popular Dutch television series Floris. His film credits include Flesh+Blood, Blind Fury, Blade Runner, The Hitcher, Escape from Sobibor (for which he won a Golden Globe Award for Best Supporting Actor), Nighthawks, Sin City, Ladyhawke, Batman Begins, Hobo with a Shotgun, and The Rite. Hauer also founded an AIDS awareness organization, the Rutger Hauer Starfish Association.
Hauer was born in Breukelen in the Netherlands, the son of drama teachers Arend and Teunke. At the age of 15, Hauer ran off to sea and spent a year scrubbing decks aboard a freighter. Returning home, he worked as an electrician and a joiner for three years while attending acting classes at night school.
Hauer joined an experimental troupe, with which he remained for five years before Paul Verhoeven cast him in the lead role of the successful 1969 television series Floris, a Dutch medieval action drama. The role made him famous in his native country, and Hauer reprised his role for the 1975 German remake Floris von Rosemund. Hauer’s career changed course when Verhoeven cast him in Turkish Delight (1973). The movie found box-office favour abroad as well as at home, and within two years, Hauer was invited to make his English-language debut in the British film The Wilby Conspiracy (1975), Hauer’s supporting role, however, was barely noticed in Hollywood, and he returned to Dutch films for several years.
Hauer made his American debut in the Sylvester Stallone thriller Nighthawks (1981) as a psychopathic and cold-blooded terrorist named Wulfgar. The following year, he appeared in arguably his most famous and acclaimed role as the eccentric and violent but sympathetic anti-hero Roy Batty in Ridley Scott’s 1982 science fiction thriller Blade Runner, in which role he improvised the famous tears in the rain soliloquy. Hauer went on to play the adventurer courting Theresa Russell in the Nicolas Roeg film Eureka (1983), the investigative reporter opposite John Hurt in Sam Peckinpah’s final film, The Osterman Weekend (1983), the hardened mercenary Martin in Flesh & Blood (1985), and the knight paired with Michelle Pfeiffer in Ladyhawke (1985).
He continued to make an impression on audiences in The Hitcher (1986), in which he played a mysterious hitchhiker intent on murdering a lone motorist and anyone else in his way. At the height of Hauer’s fame, he was set to be cast as Robocop though the role went to Peter Weller. That same year, Hauer starred as Nick Randall in Wanted: Dead or Alive as the descendant of the character played by Steve McQueen in the television series of the same name. Phillip Noyce directed Hauer in the martial arts action adventure Blind Fury (1989). Hauer returned to science fiction with The Blood of Heroes (1990), in which he played a former champion in a post-apocalyptic world.
By the 1990s, Hauer was well known for his humorous Guinness commercials as well as his screen roles, which had increasingly involved low-budget films such as Split Second, Omega Doom, and New World Disorder. In the late 1980’s and well into 2000, Hauer acted in several British and American television productions, including Inside the Third Reich, Escape from Sobibor (for which he received a Golden Globe for Best Supporting Actor), Fatherland, Merlin, The 10th Kingdom, Smallville, Alias, and Stephen King’s update of Salem’s Lot. In 1999, Hauer was awarded the Dutch “Best Actor of the Century Rembrandt Award”.
Hauer played an assassin in Confessions of a Dangerous Mind (2003), a villainous cardinal with influential power in Sin City (2005) and a devious corporate executive running Wayne Enterprises in Batman Begins (2005). In 2009, his role in avant-garde filmmaker Cyrus Frisch’s Dazzle, received positive reviews. The film was praised in Dutch press as “the most relevant Dutch film of the year”. The same year, Hauer starred in the title role of Barbarossa, an Italian film directed by Renzo Martinelli. In April 2010, he was cast in the live action adaptation of the short and fictitious Grindhouse trailer Hobo with a Shotgun (2011); The Rite (2011), which is loosely based on Matt Baglio’s book The Rite: The Making of a Modern Exorcist, which itself is based on real events as witnessed and recounted by by then, exorcist-in-training, American Father Gary Thomas. Hauer also played vampire hunter Van Helsing in legendary horror director Dario Argento’s Dracula 3D.
In April 2007, he published his autobiography All Those Moments: Stories of Heroes, Villains, Replicants, and Blade Runners (co-written with Patrick Quinlan), where he discusses many of his movie roles. Proceeds of the book go to Hauer’s Starfish Association.
Drew: The Man Behind The Poster” is a feature-length documentary film highlighting the career of poster artist Drew Struzan, whose most popular works include the “Indiana Jones,” “Back to the Future” and “Star Wars” movie posters. Telling the tale through exclusive interviews with George Lucas, Harrison Ford, Michael J. Fox, Frank Darabont, Guillermo del Toro, Steven Spielberg and many other filmmakers, artists and critics, the journey spans Drew’s early career in commercial and album cover art through his recent retirement as one of the most recognizable and influential movie poster artists of all time.
However, the producers ran out of money in the final stages. Says director Erik P. Sharkey: “We are currently in the final stages of our sound mix. So the film has already been shot and edited. But we have totally run out of money. That is where you come in. Your generous donation would help us finish Post Production, take care of legal fees as well as promotion for the film. We are so close to the finish line but need your help. Please help us finish a film that honors an amazing artist Drew Struzan!”
Check out this new featurette that spotlights the director of the film, Ridley Scott. The clip, has some new footage, as well as interviews with the cast and crew about Scott’s vision and what to expect from the film once it hits theatres. Also included are soundbites from the director himself expressing his intentions to give the audience bad dreams and “scare the living shit out of [them]”. Courtesy of Fox Malaysia.
Ridley Scott, director of “Alien” and “Blade Runner,” returns to the genre he helped define. With PROMETHEUS, he creates a groundbreaking mythology, in which a team of explorers discover a clue to the origins of mankind on Earth, leading them on a thrilling journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
Check out the Prometheus Electronic Press Kit and new International Launch trailer.
Alcon Entertainment, the producer/financier teaming with director Ridley Scott to return to the world of the 1982 science fiction classic Blade Runner, is adamantly denying a web report claiming original star Harrison Ford is in early talks to return as replicant hunter Rick Deckard. Andrew Kosove, who runs Alcon with Broderick Johnson, said he and his partner couldn’t sit by as the unsubstantiated report spread like wildfire all over the world. That’s the downside of the digital world, where reports spread virally.
“It is absolutely patently false that there has been any discussion about Harrison Ford being in Blade Runner,” Kosove said. “To be clear, what we are trying to do with Ridley now is go through the painstaking process of trying to break the back of the story, figure out the direction we’re going to take the movie and find a writer to work on it. The casting of the movie could not be further from our minds at this moment.”
Kosove said they didn’t want in any way to disparage an iconic actor like Ford, but it certainly sounds as though they do not plan to continue his story line. “It’s like asking if we’re going to make the sky red or blue, there has been no discussion about it,” he said. “What Ridley does in Prometheus is a good template for what we’re trying to do. He created something that has some association to the original Alien, but lives on its own as a standalone movie.” Asked point blank if Ford could resurface, Kosove said: “In advance of knowing what we’re going to do, I supposed you could say yes, he could. But I think it is quite unlikely.”
Rutger Oelsen Hauer (born 23 January 1944) is a Dutch stage, television and film actor. His career began in 1969 with the title role in the popular Dutch television series ‘Floris’, directed by Paul Verhoeven. His film credits include ‘Nighthawks’, ‘Blade Runner’, ‘Flesh + Blood’, ‘Blind Fury’, ‘The Hitcher’, ‘Ladyhawke’, ‘Buffy the Vampire Slayer’, ‘Batman Begins’, ‘Confessions of a Dangerous Mind’, ‘Sin City’, ‘The Rite’ and ‘Hobo with a Shotgun’.
Hauer made his American debut in the Sylvester Stallone vehicle ‘Nighthawks’ (1981), cast as a psychopathic and cold-blooded terrorist named “Wulfgar”. The following year, he appeared in arguably his most famous and acclaimed role as the eccentric, violent, yet sympathetic replicant Roy Batty in Ridley Scott’s 1982 science fiction thriller, ‘Blade Runner’.
Hauer went on to play the adventurer courting Gene Hackman’s daughter (Theresa Russell) in Nicholas Roeg‘s poorly received ‘Eureka’ (1983); the investigative reporter opposite John Hurt in Sam Peckinpah’s ‘The Osterman Weekend’ (1983); the hardened mercenary Martin in ‘Flesh & Blood’ (1985): and the knight paired with Michelle Pfeiffer in ‘Ladyhawke’ (1985).
He made an impression on audiences, myself included, I saw it 3 times, in ‘The Hitcher’ (1986), in which he was the mysterious Hitchhiker intent on murdering C. Thomas Howell’s lone motorist and anyone else who crossed his path. At the height of Hauer’s fame, he was even set to be cast as Robocop in the film directed by old friend Verhoeven, although the role ultimately went to American method actor Peter Weller.
n the late 1980s and 1990s, as well as in 2000, Hauer acted in several British and American television productions, including ‘Inside the Third Reich’ (as Albert Speer); ‘Escape from Sobibor’ (for which he received a Golden Globe Award for Best Supporting Actor); ‘Fatherland; ‘Hostile Waters’ ; ‘Merlin’; ‘Smallville’; ‘Alias’, and ‘Salem’s Lot’.
Hauer played an assassin in ‘Confessions of a Dangerous Mind’ (2003), a villainous cardinal with influential power in ‘Sin City’ (2005) and a devious corporate executive running Wayne Enterprises in ‘Batman Begins’ (2005).
Some screenings of Grindhouse (mainly in Canada) also featured a fake trailer for a film titled Hobo with a Shotgun. The trailer, created by filmmakers Jason Eisener, John Davies, and Rob Cotterill, won Robert Rodriguez’s South by Southwest Grindhouse trailers contest. In the trailer, a vagabond with a 20-gauge shotgun becomes a vigilante; he is shown killing numerous persons, ranging from armed robbers to corrupt cops to a pedophilic Santa Claus. In 2010, the trailer was made into a full length feature film starring Rutger Hauer as the hobo. Hobo With a Shotgun was the second of Grindhouse‘s fake trailers to be turned into a feature film, the first being Robert Rodriquez hit ‘Machete’.
On March 4, 2011, it was announced that Hauer would play vampire hunter, Van Helsing in legendary horror director Dario Argento‘s new version of the vampire legend in ‘Dracula 3D‘. Scheduled for release sometime in 2011.
Sir Ridley Scott (born 30 November 1937) is an English film director and producer. His most famous films include ‘Alien’ (1979), ‘Blade Runner’ (1982), ‘Thelma & Louise’ (1991), ‘G. I. Jane’ (1997), ‘Gladiator’ (2000), ‘Black Hawk Down’ (2001), ‘Hannibal’ (2001), ‘Kingdom of Heaven’ (2005), ‘American Gangster’ (2007), ‘Body of Lies’ (2008), and ‘Robin Hood’ (2010).
Scott was born in South Shields, Tyne and Wear, England, the son of Elizabeth and Colonel Francis Percy Scott. He was raised in an Army family, meaning that for most of his early life, his father — an officer in the Royal Engineers — was absent.
He went on to study at the Royal College of Art where he contributed to the college magazine, ARK, and helped to establish its film department. For his final show, he made a black and white short film, ‘Boy and Bicycle’, starring his younger brother, Tony Scott, and his father. The film’s main visual elements would become features of Scott’s later work; it was issued on the ‘Extras’ section of The Duellists DVD. After graduation in 1963, he secured a job as a trainee set designer with the BBC, leading to work on the popular television police series ‘Z-Cars’ and the science fiction series ‘Out of the Unknown’. Scott was an admirer of Stanley Kubrick early in his development as a director.
He was assigned to design the second Doctor Who serial, ‘The Daleks’, which would have entailed realising the famous alien creatures. Working with Alan Parker, Hugh Hudson and Hugh Johnson at RSA during the 1970s, Scott made television commercials in the UK including most notably the popular 1974 Hovis advert, “Bike Round” (New World Symphony), which was filmed in Shaftesbury, Dorset.
‘The Duellists’ (1977) was Ridley Scott’s first feature film. It was produced in Europe and won a Best Debut Film medal at the Cannes Film Festival but made limited commercial impact in the US. Set during the Napoleonic Wars, it featured two French Hussar officers, D’Hubert and Feraud (played by Keith Carradine and Harvey Keitel). Their quarrel over an initially minor incident turns into a bitter, long-drawn out feud over the following fifteen years, interwoven with the larger conflict that provides its backdrop. The film was lauded for its historically authentic portrayal of Napoleonic uniforms and military conduct (often compared to the Stanley Kubrick film, ‘Barry Lyndon’), as well as its accurate early-19th-century fencing techniques recreated by fight choreographer William Hobbs.
Scott’s box office disappointment with The Duellists was compounded by the success received by Alan Parker with American-backed films — Scott admitted he was “ill for a week” with envy. Scott had originally planned to next adapt a version of Tristan and Iseult, but after seeing ‘Star Wars’, he became convinced of the potential of large scale, effects-driven films. He therefore accepted the job of directing ‘Alien’, the ground-breaking 1979 horror/science-fiction film that would give him international recognition.
While Scott would not direct the three Alien sequels, the female action hero Ellen Ripley (played by Sigourney Weaver), introduced in the first film, would become a cinematic icon. Scott was involved in the 2003 restoration and re-release of the film including media interviews for its promotion. At this time Scott indicated that he had been in discussions to make the fifth and final film in the Alien franchise. However, in a 2006 interview, the director remarked that he had been unhappy about Alien: The Director’s Cut, feeling that the original was “pretty flawless” and that the additions were merely a marketing tool.
After a year working on the film adaptation of ‘Dune’, and following the sudden death of his brother Frank, Scott signed to direct the film version of Philip K. Dick’s novel Do Androids Dream of Electric Sheep?. Renamed ‘Blade Runner’, starring Harrison Ford and featuring an acclaimed soundtrack by Vangelis, the movie was a disappointment in theatres in 1982 and was pulled shortly thereafter. Scott’s notes were used by Warner Brothers to create a rushed Director’s Cut in 1991 which removed the voiceovers and modified the ending. Scott personally supervised a digital restoration of Blade Runner and approved the Final Cut. This version was released in Los Angeles, New York, and Toronto cinemas on 5 October 2007, and as an elaborate DVD release on 18 December 2007. Today, Blade Runner is often ranked by critics as one of the most important science fiction films of the 20th century and is usually discussed along with William Gibson’s novel Neuromancer as initiating the cyberpunk genre. Scott regards Blade Runner as his “most complete and personal film”.
In 1985 Scott directed ‘Legend’, a fantasy film. Having not tackled the fairy tale genre, Scott decided to create a “once upon a time” film set in a world of fairies, princesses, and goblins. Scott cast Tom Cruise as the film’s hero, Jack, Mia Sara as Princess Lily, and Tim Curry as the Satan-horned Lord of Darkness. A series of problems with both principal photography, including the destruction of the forest set by fire, and post-production interference (including heavy editing and substitution of Jerry Goldsmith’s original score with a score by Tangerine Dream) hampered the film’s release. Legend received scathing reviews and was a box-office failure, however the movie found a cult following on VHS, largely due to Curry’s incredible demon.