Reviews, articles, rants & ramblings on the darker side of the media fringe

Posts tagged “Ridley Scott

Blade Runner 2049: A Time To Live

Revered cinematographer Roger Deakins has ‘never worked on a film with so many different sets and lighting challenges’ as ‘Blade Runner 2049.’

Denis Villeneuve’s sequel to Ridley Scott’s 1982 original film looks to be a jaw-dropping mix of visual feats that stay true to both the story and the technical innovation that made Blade Runner an instant classic. Villeneuve acknowledges this legacy, stating “I have massive respect for the world Ridley created. Blade Runner revolutionized the way we see science fiction.”

Villeneuve is likely the right man for the job, as he took science fiction down an entirely new road himself, ostensibly reinventing the hackneyed alien genre with 2016’s Arrival, for which he was nominated for an Academy Award in Directing.

Blade Runner 2049 indeed brings several heavy-hitters to the table to help ensure its success, including no less of a cinematographer than multiple Oscar-nominated Roger Deakins, who also shot for Villeneuve on 2015’s Sicario. No stranger to complex action movies (the James Bond hit Skyfall, for one), Deakins admits in the featurette, “I’ve never worked on a film with so many different sets and lighting challenges. Technically, it’s quite challenging.”

 


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Blade Runner 2049


Blade Runner: The Final Cut

You’re probably familiar with various trailers for the film, but the BFI has cut a new one for a new cinema release in the UK, and it is quite good. Ridley Scott even says “This new trailer captures the essence of the film and I hope will inspire a new generation to see Blade Runner when it is re-released across the UK on 3 April.”

Blade Runner: The Final Cut is the version of the film overseen by Ridley Scott for the 2007 blu-ray release of the movie. This new cut features a handful of small changes from the previous Director’s Cut and, most significantly, has the full “unicorn dream sequence” that ties directly into the argument over whether or not Harrison Ford’s character is a replicant. Check out the new Blade Runner trailer below, makes me want to watch it again.


Alien Chestburster – Art of the Scene

A newborn Xenomorph bursting violently from John Hurt’s chest is one of the most iconic, and important, scenes in science fiction or horror movie history. A lot went on before and after Ridley Scott shouted “Action”


Halo: Nightfall

I’m not usually interested in these gaming/movie crossovers as they are generally a bit shit… However, Microsoft just released this first-look trailer of Halo: Nightfall, the live-action series coming in November from Ridley Scott’s Scott Free Productions and Microsoft’s 343 Industries. The story is set between the events in the fourth and fifth Halo video games (Halo 5: Guardians is coming next year).

The live-action five-part series follows a new character,  Jameson Locke, described as “a legendary manhunter and agent with the Office of Naval Intelligence (ONI), Earth’s most powerful and secretive military branch.” After a biological attack, Locke and his unit unravel a plot and track down an ancient artifact. The series will be part of The Master Chief Collection, the remastered set of the first four Halo games that Microsoft announced during E3 last month and set to debut in November.


Harbinger Down

With Harbinger Down, Alec Gillis pays homage to the monster movies of the late 70s and early 80s, specifically Ridley Scott’s Alien and John Carpenter’s The Thing, which both elevated rubber monsters to a new level of realism and visceral impact.

The most highly funded horror movie in Kickstarter’s history, Harbinger Down is a high-intensity “all practical effects” sci-fi creature feature that’s not just a movie, but a mission: to celebrate the art of ‘real monsters’ and share that love with a new generation and as an alternative to big studio CG driven films.

Check out more on the official webpage HERE and facebook page HERE


Loom

A little late to post I know but I hadn’t seen this until today. Luke Scott in cooperation with RED Camera presents “LOOM”. A film shot completely in 4K format in the tone and style of Ridley Scott’s dystopian Blade Runner. The film was originally intended to help showcase the prototype REDray 3D laser player. The film was constructed for 3D, the film needed to push the limits of the cameras exposure sensitivity and colour range and 4K projection. Visually the film is unmatched to date in it’s use of RED’s new technology.