Directed by Nik Kacevski
Written by Nik Kacevski and Tess Meyer
Produced by George Kacevski, Tess Meyer, and Enzo Tedeschi
Starring Joshua Brennan, Charlotte Best, Coco Jack Gillies, Kaitlyn Boyé, Joshua Morton, Roger Sciberras, Ric Herbert, Georgia Scott and Diana Popovska
It was supposed to be so simple. You do a job, you make the meet, you get paid.
As an experienced flipper, Jimmy “Skinny” Skinford knows the protocol all too well. Having said that, being kidnapped and forced to dig your own grave will spanner the nicest of deals in the sharpest of ways.
But his fortune turns when a push of his dead man’s shovel unearths the opportunity of a life time; a woman, buried but still breathing, who just can’t seem to die. Her mysterious gift extends to others through touch and in her company Skinny launches head first into a scheme of unparalleled mayhem.
Coming face to face with the most depraved deviates of the criminal underworld, Skinny will have to pay his dues in order to make the meet, get his payload and have his chance at immortality.
But this gift horse comes with plans of her own, and dark consequences that threaten to sever Skinny’s world piece by piece.
Skinford will have it’s world premiere at Event Cinemas George Street, Sydney, on Sunday, March 12 at 7pm. Tickets available HERE
Films which make the strongest impression on us make that impression for a reason. Sometimes that reason might be a slight one: you were in the right mood, you had nothing else to watch, everyone else liked the film and you can see exactly why. However, as you continue to study films, you will soon discover that the movies you remember the most typically have one thing in common: the story structure is solid.
As this thorough video essay by Cristobal Olguin points out, Wes Craven’s films are perfect to study for their structure. His films teach us that within any scene that truly frightens you, there are numerous relationships and correspondences that produce that feeling of fear. If one is missing, the entire effect might be lost.
Many of these elements are bound up in storytelling, in the little tricks Craven uses to move his tale along. This video takes a close look at a couple of the techniques Craven uses in Scream, written by Kevin Williamson.
[Spoiler alert twenty-one years later: this video reveals whodunnit in Scream.]
By the time you find out who the real killer is in Scream, you might not care. The movie has become less about suspense and more about how to tell a story. Using traditional story techniques in new and interesting ways can give your story a unique structure, such as Craven achieved from Williamson’s script for Scream.
With all the current hype surrounding the new Carrie remake, I thought it would be timely to look back at the original version, check out this 3-part, behind-the-scenes making of Brian De Palma’s Carrie with interviews of Sissy Spacek, Piper Laurie, Brian DePalma, Nancy Allen, and more.