Super Bowl Sunday played a series of teasers for Scary Stories to Tell in the Dark. Guillermo del Toro’s adaptation of the hit children’s book series by Alvin Schwartz.
Scary Stories to Tell in the Dark follows a group of young teens who must solve the mystery surrounding sudden and macabre deaths in their small hometown. Watch all four teasers below.
The film is directed by André Øvredal from a script by del Toro and Daniel and Kevin Hageman (Lego Movie). Zoe Colletti, Michael Garza, Gabriel Rush, Austin Abrams, Dean Norris, Gil Bellows, Lorraine Toussaint, Austin Zajur, and Natalie Ganzhorn star. It was first announced del Toro was had come on board to develop the film in 2016.
CBS Films and Entertainment One are co-financing, with CBS Films handling U.S. distribution as part of its ongoing deal with Lionsgate. The original book trilogy, with illustrations from Stephen Gammell, was published in the ’80s and early ’90s and has sold more than 7 million copies worldwide.
The KinoKonzert series brings together a legendary silent film with a contemporary electronic soundtrack: watch Melbourne-based DJ and composer Chiara Kickdrum as she presents her original score live on stage to the German–French horror film Vampyr, directed in 1932 by visionary director, Carl Theodor Dreyer.
21 Sep 2018: Melbourne, ACMI TIX
26 Sep 2018: Sydney, Event Cinemas George Street TIX
28 Sep 2018: Canberra, NFSA TIX
As we near the start of Westworld Season 2, the marketing machine has clicked into gear, teasing with a new teaser , revised new website HERE and cool poster with hidden binary code. Producers Jonathan Nolan spoke to EW today:
“We don’t like to endlessly build mystery; we like to settle our debts by the end of the season,” Nolan said. “We want to feel like the show is rocketing ahead. The first season was a journey inward; this is a journey outward. It’s a search for what else is in the park, and what else is beyond the park.”
As this show attempts to question our understanding of reality, we still haven’t explored outside the confines of this manufactured theme park.
“If we were to describe the show as one camera angle, it would be a steady pull out revealing more and more context,” Nolan says. “So as the hosts learn more about their world—and other worlds, and the real world—the audience is doing the same thing.”
While the creators were hesitant to say if they’d be spending much time in Shogun World, they do confirm that it will take place outside of Westworld.
“This year is much more of a road show—Sweetwater isn’t home anymore,” Nolan tells EW, teasing that leaving behind Westworld is only the beggining into where and when the real world begins. “These hosts don’t live on the same time frame we do and don’t have the four-year life span of replicants [like in Blade Runner]. If left to their own devices, they could live forever. So our story has some real scope to it.”
Certainly they’ve left it open for the inevitable Seasons 3-7, but for now, I can’t wait to see where Season 2 takes us next month.
A fantastic Indiegogo campaign for all fans of Planet of the Apes. For over a century, Makeup Artists have dazzled audiences by creating extraordinary characters and creatures on screen. They make the impossible seem possible. 50 years ago, a group of ambitious artists led by JOHN CHAMBERS and TOM BURMAN ushered in a new era in cinema with their ground-breaking work on PLANET OF THE APES.
Now… MAKING APES: THE ARTISTS WHO CHANGED FILM is telling that incredible story!
Back the project HERE
MAKING APES: THE ARTISTS WHO CHANGED FILM is an upcoming feature length documentary about the Hollywood makeup artists who created the iconic makeups seen in the original 1968 classic Planet of the Apes and their impact on cinema.
Featuring interviews with makeup artists and actors from the original film franchise, modern makeup artists and filmmakers who were deeply influenced by the franchise and film historians who recognize Planet of the Apes as a breakthrough moment in cinema, this is a story 50 years in the making.
Many regard Planet of the Apes as a breakthrough moment for the motion picture industry. It is the film that proved anything could be done on screen. The impact was so great that makeup artist John Chambers was presented an Honorary Academy Award for Excellence in Makeup almost 12 years before The Oscars created a yearly category for the craft.
Revered cinematographer Roger Deakins has ‘never worked on a film with so many different sets and lighting challenges’ as ‘Blade Runner 2049.’
Denis Villeneuve’s sequel to Ridley Scott’s 1982 original film looks to be a jaw-dropping mix of visual feats that stay true to both the story and the technical innovation that made Blade Runner an instant classic. Villeneuve acknowledges this legacy, stating “I have massive respect for the world Ridley created. Blade Runner revolutionized the way we see science fiction.”
Villeneuve is likely the right man for the job, as he took science fiction down an entirely new road himself, ostensibly reinventing the hackneyed alien genre with 2016’s Arrival, for which he was nominated for an Academy Award in Directing.
Blade Runner 2049 indeed brings several heavy-hitters to the table to help ensure its success, including no less of a cinematographer than multiple Oscar-nominated Roger Deakins, who also shot for Villeneuve on 2015’s Sicario. No stranger to complex action movies (the James Bond hit Skyfall, for one), Deakins admits in the featurette, “I’ve never worked on a film with so many different sets and lighting challenges. Technically, it’s quite challenging.”
Director Neill Blomkamp is known for inventive depictions of extraterrestrial warfare, like in District 9 (2009) and Elysium (2013). True to form, his latest short, Rakka, features a richly textured post-apocalyptic world where humans and otherworldly creatures battle over their entwined fates. And in keeping with sci-fi tradition, the queen of alien ass-kicking, Sigourney Weaver, leads a group of people who have planned a rebellion against the creatures who “came here to exterminate us.”
Rakka does feel somewhat like an extended trailer, and that is by design. The film is the first release from Blomkamp’s new venture, Oats Studios, which is an experimental incubator for feature-length ideas and new storytelling formats. The studio has released the film for free, but asks audiences to support its future work by voluntarily paying for the work in return for some digital assets like scripts, concept art, and 3D models.
Blomkamp told The Verge that Rakka is just the seed of a larger project, whose form is yet unknown. “Rakka feels like it could almost be more of an episodic thing,” he said, “because there’s a lot of avenues to explore. The footage is too unconventional and weird [for a mainstream feature], and the audience has to think of the footage as a snapshot of the window of this world.”
If you loved Aussie zom flick Wyrmwood: Road Of The Dead, check out this peek at the TV series Wyrmwood: Chronicles Of The Dead. It’s gore-tastic.
Check out their facebook page HERE