Reviews, articles, rants & ramblings on the darker side of the media fringe

Posts tagged “Slasher

The Harvest

unnamed2Henry: Portrait of a Serial Killer director John McNaughton’s The Harvest, which stars Michael Shannon, Samantha Morton, Peter Fonda, Natasha Calis, and Charlie Tahan is set for a mid-April release:

In his first film in nearly 15 years, the director of Henry: Portrait of a Serial Killer harks back to the depravity that made his 1986 debut a horror milestone. But less based in reality, The Harvest is closer to a fairy tale from Grimm’s darkest corners. Maryann (an impressive Natasha Calis) moves in with her grandparents after she’s orphaned. Desperately lonely, the preteen sets out to befriend a neighboring deathly ill, bed-ridden boy (Charlie Tahan), despite the outright disapproval of his mother (Samantha Morton). Maryann’s persistence pays off, however, and during a series of secret visits she gradually uncovers some seriously sinister goings-on in the house… Morton as the boy’s overprotective surgeon mom is the stuff of great screen villainy—at once utterly monstrous and tragically desperate—so much so that she makes even frequent heavy Michael Shannon, as the more subdued dad, pale in comparison.


The Babadook – Poster Art

The-Babadook_poster-1The-Babdook_poster-variant

Available from Studiohouse Designs HERE

 


Night of the Living Dead – Comics!

Night-of-the-Living-Dead_Rise_1

Night-of-the-Living-Dead_Home_1This June, the will dead rise again as Double Take (2T) launches Ultimate Night of the Living Dead, with three new comics set in the universe of the 1968 film. Digital previews of all three premier issues are available now at the Double Take Universe site HERE

Much more than just a singular launch, this marks the first releases in a major initiative surrounding the classic horror franchise, which frightened moviegoers all around the world and made zombies a household name. Having commissioned a new generation of writers to breathe new life into the classic franchise, 2T has a dozen series in the works – some following characters from the film in surprising new directions; other stories are all new.


Wes Craven teams up with Steve Niles

The-Disciples_Steve-NilesWes Craven, the iconic horror director behind Last House On the Left, The Hills Have Eyes, A Nightmare On Elm Street and Scream, is partnering with 30 Days of Night co-creator Steve Niles, to adapt Niles’ upcoming comic The Disciples, drawn by Christopher Mitten, a sci-fi horror story set in space. Reported by The Hollywood Reporter HERE

Universal Cable Productions, which produced shows such as “Being Human” and “Defiance”, is in the process of picking up the rights to the title, which is due to hit stands in May from Black Mask Studios.

Craven, who is not writing or directing, will exec produce along with Sara Bottfeld of Industry Entertainment.

Here’s a description of the debut comic:

Dagmar, Rick, and Jules, intrepid private eyes/bounty hunters, have been hired by a high ranking Senator to retrieve his teenage daughter who’s run off to join a mysterious religious cult.

This is no ordinary cult though. In the near future of “The Disciples,” the ultra-wealthy have become true Masters Of The Universe by colonizing moons throughout the solar system. Billionaire industrialist McCauley Richmond is one such colonist: he’s built a new society on Ganymede, a moon of Jupiter, where his flock of cultists can have the religious freedom to worship him.

But when the team reaches Ganymede in their Starship Venture, they discover something has gone horribly wrong…

This ghost story in space reunites comics’ king of the macabre Steve Niles with his longtime collaborator Christopher Mitten, whose stylish mix of grit and flow matches Steve’s sharp characterizations and taste for screams.


Nightmare City – Indiegogo Campaign

Get ready for the spectacular remake of Umberto Lenzi’s horror cult classic. This is a horror production from fans for fans and with fans! You can be a big part of it – like a producer you will have a say in how cool and great this remake will get and you will get the big chance to visit the film sets, be a part of the crew, inspire the producers, get cool rewards and win great prizes, be in the movie and MEET, WORK AND ACT TOGETHER WITH YOUR FAVORITE ACTORS and LEGENDS OF HORROR!

The King Of Splatter & Gore Tom Savini will be Director and Special Effects & Make Up Supervisor. Together with the best creative talents from his FX school in Pittsburgh he will guarantee mind-blowing makeup and special effects and lots of gore and will give horror fans what they desperately demand and miss in current horror movies – impressing practical special effects and gallons of blood instead of cheap CGI effects.

Get ready for breathtaking suspense, blood drenched horror, impressive special effects and a great cast and crew which will make this remake an outstanding horror production and the most terrifying zombie movie ever! AND YOU CAN BE A PART OF IT by donating at the indiegogo site HERE


Deadhouse Films

Great news for fans of Australian horror. Enzo Tedeschi, producer of Australian indie horror The Tunnel, has established Deadhouse Films as a new Australian production and distribution company for genre films with the aim to overcome Oz audiences’ reluctance to see genre movies in theatres.

Deadhouse says that it is “focused on boutique online global day and date distribution of genre movies and shows.” It will launch with Distracted Media’s science-fiction series, Airlock, at an unspecified date in the first half of the year. It expects to provide “unique and tailored guidance on production and release strategies to ensure the success of each project.”

“With an aim to provide independent film makers with a production and distribution avenue, Deadhouse Films’ scope will be to connect the many great Australian genre films out there with a dedicated and established audience,” said Tedeschi in a statement.

Australia has a long history of producing cult horror and genre films, including Mad Max, Saw, Wolf Creek, The Loved Ones and Razorback, but the country’s theatrical audiences have largely turned their back on the segment. Last year’s The Babadook, which got a launch at Sundance, was hailed by critics and genre fans, but grossed only US$200,000 (A$256,000) on local release. In contrast The Babadook earned $1.09 million in France and $2.03 million in the U.K.

High releasing costs, steep ticket prices and competition from English-language Hollywood are among the issues facing Australian genre films in their home market.

“The kind of film that we made, it’s kind of an art house film and a psychological thriller slash horror. These don’t traditionally do that well in Australia,” “Badadook” producer Kristina Ceyton told The Guardian recently


Friday the 13th & the Birth of Jason Voorhees

Sebastian Twardosz interviews Friday the 13th creator Sean S. Cunningham to talk about everything from  how the film started out as only a title to the creation of the infamous hockey mask.

  • 00:30 — Introducing Sean S. Cunningham.
  • 00:45 — How Friday the 13th started as just a title.
  • 03:35 — The making of Friday The 13th.
  • 06:00 — Creating the soundscape of Friday The 13th.
  • 09:00 — Expectations after releasing the film.
  • 11:15 — What it’s like working with the same people on multiple projects.
  • 12:50 — Creating the grudge match Freddy vs Jason.
  • 15:00 — How did Jason Voorhees’ mask become part of the character?
  • 16:30 — Cunningham’s change of heart and decision to not be a doctor.
  • 21:15 — Raising funds before Kickstarter existed.
  • 22:05 — Early film projects of Sean S. Cunningham.
  • 24:25 — Bringing The Last House on the Left into being with Wes Craven.
  • 27:00 — Kids sports films; Here Come the Tigers and Manny’s Orphans.
  • 30:50 — Spring Break.
  • 33:50 — House and My Boyfriend’s Back.
  • 37:00 — Watching a screening of Alien with O.J. Simpson.

Not only dose Cunningham share information about how the franchise (originally not intending to be one) was formulated, but he shares some keen wisdom on filmmaking as well. For instance, he shares a story about when he first screened Friday the 13th for Wes Craven and was told that it was boring and slow. However, when he screened the final cut with all the audio, music, and sound effects added, reactions completely changed. Cunningham expresses how large of an impact the right soundtrack can make on how your viewers respond to your film emotionally.


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