Films which make the strongest impression on us make that impression for a reason. Sometimes that reason might be a slight one: you were in the right mood, you had nothing else to watch, everyone else liked the film and you can see exactly why. However, as you continue to study films, you will soon discover that the movies you remember the most typically have one thing in common: the story structure is solid.
As this thorough video essay by Cristobal Olguin points out, Wes Craven’s films are perfect to study for their structure. His films teach us that within any scene that truly frightens you, there are numerous relationships and correspondences that produce that feeling of fear. If one is missing, the entire effect might be lost.
Many of these elements are bound up in storytelling, in the little tricks Craven uses to move his tale along. This video takes a close look at a couple of the techniques Craven uses in Scream, written by Kevin Williamson.
[Spoiler alert twenty-one years later: this video reveals whodunnit in Scream.]
By the time you find out who the real killer is in Scream, you might not care. The movie has become less about suspense and more about how to tell a story. Using traditional story techniques in new and interesting ways can give your story a unique structure, such as Craven achieved from Williamson’s script for Scream.
Having inspired such writers as Stephen King and Robert Bloch, it could be argued that the forefather of modern horror fiction was H.P. Lovecraft. The influence of his Cthulhu mythos can be seen in films, games, music and pop culture in general. But what led an Old World, xenophobic gentleman to create one of literature’s most far-reaching mythologies? What attracts even the minds of 21st century to these stories of unspeakable abominations and cosmic gods? LOVECRAFT: FEAR OF THE UNKNOWN is a chronicle of the life, work and mind that created these weird tales as told by many of today’s luminaries of dark fantasy, including John Carpenter, Guillermo Del Toro, Neil Gaiman, Stuart Gordon, Caitlin Kiernan and Peter Straub.
The West Memphis 3, Damien Echols, Jason Baldwin and Jessie Misskelley were freed in an Arkansas hearing after being in prison 18 years for the murder of three children in 1993. The three were freed after pleading guilty and drawing a sentence equal to the time they already served. The original conviction, which was derived despite any physical evidence tying the trio to the murders, became a cause celebre and the West Memphis 3 have received moral and financial support from the likes of The Hobbit director Peter Jackson and Fran Walsh, Johnny Depp, Eddie Vedder and Natalie Maines. The case has also be the subject of two Paradise Lost HBO documentaries by Joe Berlinger and Bruce Sinofsky. A third installment will premiere at the Toronto Film Festival next month, followed by the New York Film Festival and a January airing on HBO.
After the West Memphis Three murder defendants were released from prison, it seemed like just a matter of time before the movie crowd got involved because the case is so controversial and became a cause celebre with the likes of Johnny Depp and Peter Jackson and Fran Walsh. Turns out that there is a feature film that already has a screenplay and a major director, ready to start production by the spring. Devil’s Knot is an under $20 million feature that has The Sweet Hereafter and Chloe director Atom Egoyan aboard to direct a script that was originally written by Scott Derrickson and Paul Boardman, the team behind The Exorcism of Emily Rose. Egoyan has spent the last six weeks working with Boardman on a rewrite.
The script is based on investigative reporter Mara Leveritt’s 2003 book Devil’s Knot: The True Story of the West Memphis Three, an in-depth chronicle of the sensationalized trials that sent the three to prison for the murder of the three 8-year old boys who were found hog-tied in a drainage ditch. The project is not a rush job. Derrickson and Boardman began writing it in 2006 when the film first took root at Dimension Films. It will be produced by Elizabeth Fowler, Clark Peterson, Richard Saperstein and Boardman. Saperstein was Dimension president and he acquired the film. After he left, Dimension eventually put the project into turnaround and Saperstein became re-involved as producer. The package includes life rights deals with some of the figures in the case, and especially Ron Lax, a private investigator who has been working pro bono on trying to overturn the verdict since 1993. There are no rights deals with the West Memphis 3 defendants Damien Echols, Jason Baldwin and Jessie Misskelley Jr., because at the time, two were serving life sentences and Echols was on death row.
Director, Producer, Writer, Editor… One man movie industry. He’s fearless and not afraid to turn his camera onto subjects most Hollywood film makers would run a mile from… Check out his television work on the ‘Cracker’ series, documentary work on ‘The Road to Guantanamo’, feature work in ’24 Hour Party People’ and ‘The Killer Inside Me’ as well as producer for the new BBC series ‘The Trip’.