Reviews, articles, rants & ramblings on the darker side of the media fringe

The Exorcist

The XXXorcist – Porno Horror Parody

xxxorcistI know they can make a porno parody of most films… but really, The Exorcist..!?! Re-titled The XXXorcist. When the Devil is inside, the power of Christ cumpels you!

In The XXXorcist, after all other exorcism methods fail, Father Merkin has no other option but to screw the hell (and the devil) out of a possessed woman, Regan Teresa MacFeel. Her Mother, Mrs. MacFeel looks on helplessly until she succumbs to the evil and becomes possessed as well. Father Merkin is forced to fight for his life…with his genitals.

If you feel inclined, there’s a trailer for the film and for a few other ‘wonderful’ horror porno parodies, Re-Penetrator and Evil Head, on the official website HERE… download at your peril.

 


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The Exorcist – Regan Cake

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The Exorcist – 40th Anniversary Poster

the-exorcist-regularPrinted by New Flesh on 140lb Arches Hot Press Watercolor with two deckled edges and embossed logo. THE EXORCIST (Variant) is signed and numbered with an edition of 25 and also signed by director William Friedkin. This limited run is available on the 29th October HERE


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The Exorcist – Poster Art by Silver Ferox Design

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Mercedes McCambridge

The Exorcist_Mercedes McCambridgeCarlotta Mercedes McCambridge (March 16, 1916 – March 2, 2004) was an Academy Award-winning and Golden Globe-winning American actress. Orson Welles called her “the world’s greatest living radio actress.”

McCambridge was born in Joliet, Illinois, the daughter of parents Marie and John Patrick McCambridge. She graduated from Mundelin College in Chicago. She began her career as a radio actor during the 1940’s while also performing on Broadway.

Her Hollywood break came when she was cast opposite Broderick Crawford in All the King’s Men (1949). McCambridge won the 1949 Academy Award for Best Supporting Actress for her role, while the film won Best Picture for that year. McCambridge also won the Golden Globe Award for Best Supporting Actress and New Star of the Year – Actress for her performance.

In 1954, the actress co-starred with Joan Crawford and Sterling Hayden in the offbeat western drama, Johnny Guitar, now regarded as a cult classic. McCambridge and Hayden publicly declared their dislike of Crawford, with McCambridge labeling the film’s star “a mean, tipsy, powerful, rotten-egg lady.”

McCambridge played the supporting role of ‘Luz’ in the George Stevens epic, Giant (1956), which starred Elizabeth Taylor, and James Dean in his last role. In 1959, McCambridge appeared opposite Katherine Hepburn, Montgomery Clift and Elizabeth Taylor in Joseph L. Mankiewicz’ film adaptation of Tennessee Williams’ Suddenly Last Summer. 

Of more interest to casual readers of this site, McCambridge provided the dubbed voice of the demonically possessed child Regan in The Exorcistacted by Linda Blair. McCambridge was promised a screen credit for the film’s initial release, but she discovered at the premiere that her name was absent. Her dispute with director William Friedkin and Warner Bros. over her exclusion ended when, with the help of the Screen Actors Guild, she was properly credited for her vocal work in the film.

In the 1970’s, she toured in a road company production of Cat on a Hot Tin Roof as Big Mama, opposite John Carradine as Big Daddy. She appeared as a guest artist in college productions such as El Centro College’s 1979 The Mousetrap, in which she received top billing despite her character being murdered less than 15 minutes into the play.

In the mid-1970’s, McCambridge briefly took a position as director of Livingrin, a Pennsylvania rehabilitation center for alcoholics. She was at the same time putting the finishing touches on her soon-to-be released autobiography, The Quality of Mercy: An Autobiography (Times Books, 1981).

McCambridge died on March 2, 2004 in La Jolla, California, of natural causes.


Turkish Exorcist

Check out these clips from the Turkish version of The Exorcist… so bad it’s awesome.


The Exorcist – Behind the Scenes

Various behind the scenes footage, make up tests, and screen tests from The Exorcist. Includes a clip of Linda Blair crying at the end of a take after the rig, which violently flung her around the bed, came loose and hurt her back. Blair’s real screams for help went ignored as “Please make it stop, it hurts!” was the scene’s dialogue.


The Exorcist – 40th Anniversary Edition on Blu-ray

The Exorcist_40th Anniversary_Banner“’The Exorcist is both my own favorite film and the greatest film ever made.” — Mark Kermode, Sight and Sound Magazine

THE EXORCIST

CELEBRATES 40TH ANNIVERSARY OCTOBER 8

Blu-ray™ Includes the Extended Director’s Cut, Theatrical Version

with New Special Features and Premiums

Burbank, Calif. June 20, 2013 – When The Exorcist was first released in 1973, viewers were frightened out of their wits – and literally out of their seats. Now Warner Bros. Home Entertainment (WBHE) will celebrate the 40th anniversary of Academy Award® winning director William Friedkin’s suspense masterpiece that haunted and intrigued the world, with a new Blu-ray release featuring the Extended Director’s Cut and Theatrical Version with new special features and premiums. Available October 8, just ahead of Halloween, this 40th Anniversary Edition will include two new featurettes: “Beyond Comprehension: William Peter Blatty’s The Exorcist” and “Talk of the Devil,” as well as an excerpt from Friedkin’s book The Friedkin Connection: A Memoir.

A true cinema landmark, the theological thriller is one of the top ten box-office performers of all time.* The Exorcist took 10 Academy Award® nominations[1], including Best Picture, and won two Oscars®[2], for Best Adapted Screenplay, as well as winning for Best Sound. Subsequently, the film went on to become a multi-million dollar franchise. Directed by Friedkin (Oscar®-winner for The French Connection – Directing 1971) and written by William Peter Blatty, the film is based on his best-selling novel, which sold nearly 13 million copies domestically and was the #1 book on the New York Times Best Seller List for 57 weeks, 17 of them at #1.

Regarding the Extended Director’s Cut, Friedkin says, “After my initial cut, I took out 12 more minutes before we released it in theatres. Years later, Bill Blatty asked if I’d review some of that rejected footage (which he always felt should have remained) with an eye towards putting it back in a new version. In so doing I believe we strengthened the spiritual aspect of the film.”

Celebrated for his directorial role in this seminal film, Friedkin is still very much in the limelight. His new book, The Friedkin Connection: A Memoir, recently published by HarperCollins, extensively discusses the background and casting of The Exorcist. The Academy of Science Fiction, Fantasy and Horror Films will honor Friedkin this month with their Lifetime Achievement Award for his continually influential work in genre entertainment at this year’s Saturn Awards. Friedkin recently received the Golden Lion for Lifetime Achievement at the 70th Venice International Film Festival, where he will present the restored version of Warner Bros.’ Sorcerer. And Friedkin and author Blatty will attend a special 40th Anniversary screening of their film at the Smithsonian in Washington, D.C. on October 30. The film will also have an exclusive theatrical engagement October 31 through November 7th at the AMC Georgetown.

Synopsis

The Exorcist tells the now-famous story of a girl’s demonic possession, and a gripping fight between good and evil. Linda Blair, in a breakout role, plays Regan, a young girl who starts to exhibit strange, arcane behaviour. Her mother (Ellen Burstyn, Oscar-winner for Best Actress Alice Doesn’t Live Here Anymore) calls upon a priest, Father Karras (Jason Miller) to investigate. But Karras, who has a spiritual crisis of his own, is suddenly confronted with the unimaginable evil of Regan’s possession. Father Lankester Merrin (Max Von Sydow), an archeologist-priest, is called to help, and a horrific battle for her soul begins.

Special Features:

  • Beyond Comprehension: William Peter Blatty’s The Exorcist (NEW) 40 years after his novel was published,The Exorcist author, screenwriter and producer returns to where it all began. First stop is a cabin/guest house in the hills of Encino, California, where Blatty wrote the novel. The author visits the place for the first time in 40 years and shares not only memories of writing the book, but also discusses how it inspired him. We then meet Blatty in two key and iconic locations; Georgetown University where the film was shot, and at the now-famous Exorcist steps. Throughout, Blatty reads from his novel, including an excerpt from a chilling newly published passage.
  • Talk of the Devil (NEW) – While at Georgetown University, William Peter Blatty heard about a true case of possession from Father Eugene Gallagher. At the time the film came out, the priest talked at length about exorcism, the true story and about Blatty; this footage is now available for the first time in many years. It is as revealing as it is shocking.
  • Two Commentaries by William Friedkin
  • Commentary by William Peter Blatty
  • Introduction by William Friedkin
  • 1998 BBC Documentary “The Fear of God: 25 Years of the Exorcist”
  • Raising Hell: Filming the Exorcist Set footage produced and photographed by Owen Roizman, camera and makeup tests, and interviews with director William Friedkin, actress Linda Blair, author/screenwriter/producer William Peter Blatty and Owen Roizman.
  • The Exorcist Locations: Georgetown Then and Now — Featuring a tour of the iconic locations where the film was shot.
  • Faces of Evil: The Different Versions of The Exorcist — with director William Friedkin and author/screenwriter/producer William Peter Blatty discussing the different versions of the film and featuring outtakes from the film.
  • Original Ending
  • Interviews
    – The Original Cut
    – Stairway to Heaven
    – The Final Reckoning
  • Sketches & Storyboards
  • Radio Spots
  • TV Spots
  • Trailers

Premium:

  • Excerpt of The Friedkin Connection: A Memoir

The Exorcist 40th Anniversary Extended Director’s Cut Blu-ray™
Street Date: October 8, 2013
Order Due Date: September 3, 2013
Rated R
Run Time: 132min (Extended Director’s Cut);122 (Theatrical Version)
Note: All enhanced content listed above is subject to change.

* Source: boxofficemojo.com, adjusted for inflation.


The Exorcist – Poster Art

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William Friedkin awarded Golden Lion in Venice

The Exorcist director William Friedkin has arrived in Venice to receive the Golden Lion for Lifetime Achievement. He’s also there for the world premiere of Warner Bros’ newly restored version of his 1977 film Sorcerer. It’s the one he’d like to be remembered for. It “came the closest to my vision of it; the result is the way I first saw it in my mind’s eye,” he said as part of a wide-ranging and animated chat with journalists ahead of his award ceremony today.

Friedkin was last on the Lido with 2011’s gritty Killer Joe. That movie was penned by Tracy Letts with whom the director also collaborated on 2006′s Bug. He said this afternoon that he hopes to make another movie with Letts and that the two have discussed “doing a contemporary western.” When, he’s not sure, though. Opera afficianado Friedkin is currently planning a new take on Rigoletto with Placido Domingo and noted that Letts is busy penning a new version of The Grapes Of Wrath for Dreamworks.

Speaking of the current state of the studio system, Friedkin lamented the lack of original ideas in Hollywood. He said Killer Joe and Bug couldn’t have been made with a studio. “Hollywood today is like a big casino… where you gamble and put all the chips on one turn of a card.” To get a movie made within the system, Friedkin cracked, “You have to have someone wearing a spandex suit with a letter on his chest flying around the world saving it from evil… Somebody who can kill vampires or zombies. I don’t want to do that. I don’t even want to watch it.” He added that the studios “have a problem” but that they will continue to exist “for a good long time to come.” The real trouble will hit if distribution methods continue to change drastically and find success. With aspiring filmmakers now able to shoot, edit and post their movies online by themselves, “You’re going to see a broadening of the number of people who enter the world of cinema and the way their films will be distributed.”

Of Sorcerer, Friedkin said, “It was a difficult film to make, but I think we were all lucky.” There were a lot of physical problems during production including malaria and gangrene. The movie brings together a group of four outcasts who must transport unstable nitroglycerin through the jungle in two scrap trucks. Friedkin called it a “metaphor for the nations of the world that can’t get along.” Alluding to the current crisis in Syria, the director insisted there is “no doubt that the world right now is on the edge of extinction… Everyone is threatening everyone today in a way I haven’t experienced since the Second World War. Only now, the weapons are nuclear and all it takes is one madman to end the whole thing… The only real solution is if the world again comes up with a Ghandi or an Anwar Sadat or a Martin Luther King Jr.” A major role of cinema, he said, is as “a way for people to come together who don’t necessarily like each other.”

The director’s classics include The Exorcist and The French Connection, which won five Oscars including Best Picture, Best Director and a Best Actor statue for Gene Hackman. He was asked today whether he’s eased up on his actors and recalled working with Hackman. “I was difficult with Hackman because his character was difficult. As a director I work very much like a psychiatrist… You have to provoke emotion. (Hackman) was more angry at me than the drug dealer [in the film]. This is what I intended and it’s one of the reasons his performance is so good.”

Finally, he offered a piece of advice to aspiring filmmakers. “If you are in a cinema school, leave immediately! Nobody can teach you how to do cinema. It’s something you learn by doing and seeing. Cinema begets cinema.”

While awaiting the inevitable controversial Friedkin Q&A from the festival, enjoy this excellent wide-reaching interview about Hollywood, his crazy career, and even his politics and spirituality. The Oscar-winner opens up on everything from the ratings board to the death penalty, and shares stories from his new autobiography The Friedkin Connection, about The French Connection, Cruising and much more.
Anyone interested in movies and culture will find Friedkin’s perspective fascinating, and he continues to surprise even the most jaded onlooker.


THE EXORCIST in 60 seconds with clay

Claymation remake of the 1973 classic EXORCIST and told in exactly 60 seconds. Check out more of Lee Hardcastle HERE


Linda Blair promoting The Exorcist in London

Midweek reporter David Jessel follows Linda Blair on her brief visit to London promoting The Exorcist. Originally broadcast on the BBC, 27/03/74.


The Exorcist: Audience Reactions

A little glimpse of the mass hysteria that The Exorcist caused during its original theatrical premiere on December 26, 1973, including footage of the audience reactions and the incredibly long lines of people who waited hours upon hours to see the film… Paranormal Activity has nothing on this.


The Exorcist by French & Saunders


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The Exorcist – Cool Wool Artwork

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Rare footage from the set of The Exorcist

In what seems to becoming ‘Exorcist week’, here’s a fantastic behind the scenes documentary by Owen Roizman, cinematographer on The Exorcist (1973), who personally filmed behind-the-scenes footage while working on the horror production. The footage was made available in 2010 as part of the documentary Raising Hell: Filming The Exorcist, which appears on The Exorcist Blu-ray release. The documentary itself is laced with interviews from cast and crew (and is a great watch!) but I always thought it would be great to see all of that amazing rare footage spliced together, without interruption.


The Exorcist – Storyboards

Check out these storyboard panels from The Exorcist. Click on the image to see larger panels…

 


Pierre Teilhard de Chardin SJ

Pierre Teilhard de Chardin SJ (Society of Jesus), (May 1, 1881 – April 10, 1955) was a French philosopher and Jesuit priest who trained as a paleontologist and geologist and took part in the discovery of Peking Man and Piltdown Man. Teilhard conceived the idea of the Omega Point (the maximum level of complexity and consciousness towards which he believed the universe was evolving) and developed Vladimir Vernadsky’s concept of Noosphere (sphere of human thought). Some of his ideas came into conflict with the Magisterium of the Catholic Church. He was reprimanded and his works were denounced by the Holy Office.

Teilhard’s primary book, The Phenomenon of Man, set forth a sweeping account of the unfolding of the cosmos. Teilhard views evolution as a process that leads to increasing complexity. From the cell to the thinking animal, a process of psychical concentration leads to greater consciousness. The emergence of Homo sapiens marks the beginning of a new age, as the power acquired by consciousness to turn in upon itself raises humankind to a new sphere. Borrowing Julian Huxley’s expression, Teilhard describes humankind as evolution becoming conscious of itself.

In Teilhard’s conception of the evolution of the species, a collective identity begins to develop as trade and the transmission of ideas increases. Knowledge accumulates and is transmitted in increasing levels of depth and complexity. This leads to a further augmentation of consciousness and the emergence of a thinking layer that envelops the earth. Teilhard calls the new membrane the “noosphere” (from the Greek “nous,” meaning mind), a term first coined by Vladimir Vernadsky. The noosphere is the collective consciousness of humanity, the networks of thought and emotion in which all are immersed.

The development of science and technology causes an expansion of the human sphere of influence, allowing a person to be simultaneously present in every corner of the world. Teilhard argues that humanity has thus become cosmopolitan, stretching a single organized membrane over the Earth. Teilhard describes the process by which this happens as a “gigantic psychobiological operation, a sort of mega-synthesis, the “super-arrangement” to which all the thinking elements of the earth find themselves today individually and collectively subject.” The rapid expansion of the noosphere requires a new domain of psychical expansion, which “is staring us in the face if we would only raise our heads to look at it.”

In Teilhard’s view, evolution will culminate in the Omega Point, a sort of supreme consciousness. Layers of consciousness will converge in Omega, fusing and consuming them in itself. The concentration of a conscious universe will reassemble in itself all consciousnesses as well as all that we are conscious of. Teilhard emphasizes that each individual facet of consciousness will remain conscious of itself at the end of the process.

He had abandoned traditional interpretations of creation in the Book of Genesis in favor of a less strict interpretation. This displeased certain officials in the Roman Curia and in his own order who thought that it undermined the doctrine of original sin developed by Saint Augustine. Teilhard’s position was opposed by his Church superiors, and some of his work was denied publication during his lifetime by the Roman Holy Office. The 1950 encyclical Humani generis condemned several of Teilhard’s opinions, while leaving other questions open. However, some of Teilhard’s views became influential in the reforms of the Second Vatican Council. More recently, Pope John Paul II indicated a positive attitude towards some of Teilhard’s ideas. In 2009, Pope Benedict XVI praised Teilhard’s idea of the universe as a “living host”.

Teilhard and his work have a continuing presence in the arts and culture. He inspired a number of characters in literary works. References range from occasional quotations—an auto mechanic quotes Teilhard in Philip K. Dick’s A Scanner Darkly, to inspiring William Peter Blatty to base the character of Father Lankester Merrin in his blockbuster novel The Exorcist on Teilhard. In Dan Simmons’ 1989–97 Hyperion Cantos, Teilhard de Chardin has been canonized a saint in the far future. His work inspires the anthropologist priest character, Paul Duré. When Duré becomes Pope, he takes Teilhard I as his regnal name.


The Exorcist – Live on Stage

If you’re in Los Angeles anytime between July 3 and August 12, get down to the Geffen Playhouse to see the stage adaptation of William Peter Blatty’s The Exorcist. If anyone out there manages to see this production, please post a review.

SYNOPSIS: The most chilling test of faith comes to life on stage.  This world premiere adaptation of the famous 1971 novel documenting the terror and redemption of a ten-year-old girl remains as frightening and relevant as when first experienced. Under the direction of Tony Award winner John Doyle and adapted by acclaimed playwright John Pielmeier (Agnes of God), The Exorcist transforms the unsettling battles of good versus evil, faith versus fact and ego versus ethos into a uniquely theatrical experience as sophisticated as it is suspenseful.


LEGO – The Exorcist

Another nice LEGO image, this time of the classic levitating scene from The Exorcist.


The Exorcist – Desktop BG


Possessed Regan Electronic Deluxe Boxed Set

A mate just sent me info on this, can’t believe I hadn’t seen it before as it was released in October 2010… NECA’s Regan Possessed Deluxe Boxed Set, based on the iconic scene from 1973’s The Exorcist movie! The bed is over 7″ long, almost 6″ across and over 5″ tall, and Regan herself is articulated at the neck, shoulders, and forearms! And if that’s not enough, motorized action allows the head to rotate 360 degrees timed in sync with the actual movie scene! Presented in window box packaging, the Possessed Regan Electronic Deluxe Boxed Set, encompassing the demonically-possessed Regan and the bed to which she was restrained, features motorized 360-degree spinning head function along with the various growls and demonic grunts from the movie.

Also released this July 2011 is the Regan Bobblehead. Awesome.



Dirt Devil – Spoof ‘The Exorcist’ Advertisement

Awesome spoof ‘The Exorcist’ advertisement.