Reviews, articles, rants & ramblings on the darker side of the media fringe

Posts tagged “Scream Queens

John Carpenter – Night

Video for the track ‘Night’ from John Carpenter’s debut album of non-soundtrack material which is out now on Sacred Bones. Video by Gavin Hignight and Ben Verhulst: “Upon hearing “Night” by John Carpenter my head was instantly filled with these nighttime highway road dreamscapes. Someone or something, haunted, traveling the road alone in the late hours.”


The Birds – By Benedict Woodhead

the-birds-take2-for-web-512x1024Check out more art by Benedict Woodhead HERE


Amity Island Posters by Ape Meets Girl

Ape-Meets-Girl-Jaws-Amity-Island-Island-Open

Here are Amity Island: Beach Open and Amity Island: Beach Closed by Kevin M. Wilson aka Ape Meets Girl. Both prints are already sold out.

The key focus was the town of Amity and to reference the sign in a way that it welcomes you into the town before and after the shark attack. The prints are full of film references and easter eggs from the Reservoir that Police Chief Brody sends his son to play in, to his house (and letter box), the broken fence to the detail on the beach and buoy in the sea and not forgetting the sign. There may also be an appearance from Jaws himself in one form or another for those who are eagle eyed…there’s more than one shark reference.

Ape-Meets-Girl-Jaws-Amity-Island-Island-Closed


The Babadook – Poster Art

The-Babadook_poster-1The-Babdook_poster-variant

Available from Studiohouse Designs HERE

 


Night of the Living Dead – Comics!

Night-of-the-Living-Dead_Rise_1

Night-of-the-Living-Dead_Home_1This June, the will dead rise again as Double Take (2T) launches Ultimate Night of the Living Dead, with three new comics set in the universe of the 1968 film. Digital previews of all three premier issues are available now at the Double Take Universe site HERE

Much more than just a singular launch, this marks the first releases in a major initiative surrounding the classic horror franchise, which frightened moviegoers all around the world and made zombies a household name. Having commissioned a new generation of writers to breathe new life into the classic franchise, 2T has a dozen series in the works – some following characters from the film in surprising new directions; other stories are all new.


Realm

REALM from Scott Speer on Vimeo. Starring Adelaide Kane and William Russ. Directed by Scott Speer, written by John Swetnam, produced by John Swetnam, Andrew Ellis, and Scott Speer.

A young woman (Adelaide Kane) possesses the power to enter the soul of the possessed to wage physical battle against their inner demons. This short film has demonstrated enough franchise potential for the teenage exorcist (Buffy..?) that the Rebecca Sonnenshine spec script Realm just sold for a reported mid-six-figure deal.


Friday the 13th & the Birth of Jason Voorhees

Sebastian Twardosz interviews Friday the 13th creator Sean S. Cunningham to talk about everything from  how the film started out as only a title to the creation of the infamous hockey mask.

  • 00:30 — Introducing Sean S. Cunningham.
  • 00:45 — How Friday the 13th started as just a title.
  • 03:35 — The making of Friday The 13th.
  • 06:00 — Creating the soundscape of Friday The 13th.
  • 09:00 — Expectations after releasing the film.
  • 11:15 — What it’s like working with the same people on multiple projects.
  • 12:50 — Creating the grudge match Freddy vs Jason.
  • 15:00 — How did Jason Voorhees’ mask become part of the character?
  • 16:30 — Cunningham’s change of heart and decision to not be a doctor.
  • 21:15 — Raising funds before Kickstarter existed.
  • 22:05 — Early film projects of Sean S. Cunningham.
  • 24:25 — Bringing The Last House on the Left into being with Wes Craven.
  • 27:00 — Kids sports films; Here Come the Tigers and Manny’s Orphans.
  • 30:50 — Spring Break.
  • 33:50 — House and My Boyfriend’s Back.
  • 37:00 — Watching a screening of Alien with O.J. Simpson.

Not only dose Cunningham share information about how the franchise (originally not intending to be one) was formulated, but he shares some keen wisdom on filmmaking as well. For instance, he shares a story about when he first screened Friday the 13th for Wes Craven and was told that it was boring and slow. However, when he screened the final cut with all the audio, music, and sound effects added, reactions completely changed. Cunningham expresses how large of an impact the right soundtrack can make on how your viewers respond to your film emotionally.


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