Quentin Tarantino – Part 1
Quentin Jerome Tarantino (born March 27, 1963) is an American film director, screenwriter, producer, cinematographer and actor. In the early 1990s, he began his career as an independent filmmaker with films employing nonlinear storylines and the aestheticization of violence. His films include Reservoir Dogs (1992), Pulp Fiction (1994), Jackie Brown (1997), Kill Bill (2003, 2004), Death Proof (2007), and Inglourious Basterds (2009). He has earned an Academy Award, a Golden Globe Award, a BAFTA and the Palme d’Or, as well as Emmy and Grammy nominations. His movies are generally characterized by stylistic influences from grindhouse, kung fu, and spaghetti western films. Tarantino also frequently collaborates with his friend and fellow filmmaker Robert Rodriguez.
Tarantino was born in Knoxville, Tennessee, the son of Tony Tarantino, an actor and amateur musician who was born in Queens, New York, and Connie McHugh, a nurse. He was raised by his mother, as his parents separated before his. When he was two years old, he moved to Torrance, California and later to the Harbor City neighborhood where he went to Fleming Junior High School in Lomita and took drama classes. He attended Narbonne High School in Harbor City for his freshman year before dropping out of school at age 15, to attend an acting class full time at the James Best Theater Company in Toluca Lake.
As an employee of the Video Archives, a now-defunct video rental store in Manhattan Beach. he and fellow movie enthusiasts, including Roger Avary, discussed cinema and customer video recommendations at length. He paid close attention to the types of films people liked to rent and has cited that experience as inspiration for his directorial career. Tarantino has been quoted as saying, “When people ask me if I went to film school I tell them, ‘no, I went to films.'”
After Tarantino met Lawrence Bender at a Hollywood party, Bender encouraged him to write a screenplay. Tarantino directed and co-wrote a movie called My Best Friend’s Birthday in 1987. The final reel of the film was almost fully destroyed in a lab fire that occurred during editing but its screenplay would form the basis for True Romance. In January 1992, Tarantino’s Reservoir Dogs screened at the Sundance Film Festival and was an immediate hit. The film garnered critical acclaim. Reservoir Dogs was a dialogue-driven heist movie that set the tone for his later films. Tarantino wrote the script in three and a half weeks and Bender forwarded it to director Monte Hellman. Hellman helped Tarantino to secure funding from Richard Gladstein at Live Entertainment (which later became Artisan). Harvey Keitel read the script and also contributed to funding, taking a co-producer role, and a part in the movie.
Tarantino’s screenplay for True Romance was optioned, directed by Tony Scott and eventually released in 1993. The second script that Tarantino sold was Natural Born Killers, which was revised by Dave Veloz, Richard Rutowski and director Oliver Stone. Tarantino was given story credit, and wished the film well. Following the success of Reservoir Dogs, Tarantino was approached by Hollywood and offered numerous projects, including Speed and Men in Black. He instead retreated to Amsterdam to work on his script for Pulp Fiction. He directed Episode Four of Four Rooms, “The Man from Hollywood”, a tribute to the Alfred Hitchcock Presents episode that starred Steve McQueen. Four Rooms was a collaborative effort with filmmakers Allison Anders, Alexandre Rockwell and Robert Rodriguez. The film was very poorly received by critics. He appeared in and wrote the script for Robert Rodriguez’s From Dusk till Dawn, which saw mixed reviews from the critics yet led to two sequels, for which Tarantino and Rodriguez would only serve as executive producers.
Tarantino’s third feature film, and in my opinion his best work, was Jackie Brown (1997), an adaptation of Rum Punch, a novel by Elmore Leonard. A homage to blaxploitation films, it starred Pan Grier, who starred in many of that genre’s films of the 1970s. He had then planned to make the war film provisionally titled Inglourious Basterds, but postponed it to write and direct Kill Bill…
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