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René Goscinny

Asterix_ReneGoscinny_BannerRené Goscinny (14 August 1926 – 5 November 1977) was an award-winning French comics editor and writer, who is best known for the comic-book Astérix, which he created with illustrator Albert Uderzo.

Goscinny was born in Paris in 1926, to a family of Jewish immigrants from Poland. The Gościnnys moved to Buenos Aires, Argentina, two years after René’s birth, as  Stanisław had obtained there. He spent a happy childhood in Buenos Aires, and studied in the French schools. He started drawing very early on, inspired by the illustrated stories which he enjoyed reading.

Goscinny_Match CoverIn December 1943, the year after he graduated from school, 17 year old Goscinny’s father died, forcing him to find a job. The next year, he got his first job, as an assistant accountant in a tire recovery factory, and when he was laid off the following year, he became a junior illustrator in an advertising agency.

Goscinny, along with his mother, left Argentina and went to New York in 1945, to join their uncle Boris. To avoid service in the US military, he travelled to France to join the French Army in 1946. He served at Aubagne, in the 141st Alpine Infantry Battalion. Promoted to senior corporal, he became the appointed illustrator of the regiment and drew illustrations and posters for the army.

The following year, he illustrated the book The Girl with The Eyes of Gold and returned to New York. By 1948, he started working in a small studio where he met and became friends with future Mad alumni Will Elder, Jack Davis and Harvey Kurtzman. Goscinny then became art director at Kunen Publishers where he wrote four books for children. Around this time he met Joseph Gillain, better known as Jijé, and Maurice de Bevere aka Morris, the cartoonist and author of the series Lucky Luke (which Goscinny would write from 1955 to his death in 1977).

Asterix_Goscinny and UderzoAlso, he met Georges Troisfontaines, chief of the World Press agency, who convinced Goscinny to return to Paris and work for his agency as the head of Paris office in 1951. Here, he met Albert Uderzo, with whom he started a longtime cooperation. They started out with some work for Bonnes Soirées, a female magazine for which Goscinny wrote Sylvie. Goscinny and Uderzo also launched the series Jehan Pistolet and Luc Junior in La Libre Junior.

In 1955, Goscinny, accompanied by Jean-Michel Charlier, Albert Uderzo and Jean Hébrad, founded the syndicate Edipress/Edifrance. The syndicate launched publications like Clairon for the factory union and Pistolin for a chocolate company. Goscinny and Uderzo cooperated on the series Bill Blanchartin Jeannot, Pistolet in Pistolin and Benjamin et Benjamine in the magazine of the same name. Under the pseudonym Agostini, Goscinny wrote Le Petit Nicolas for Jean-Jacques Sempé in Le Moustique and later Sud-Ouest and Pilote.

In 1956, Goscinny began a collaboration with the magazine Tintin. He worked on Signor Spaghetti, Monsieur TricPrudence Petitpas, Globul le Martien, AlphonseStrapontin and Modeste et Pompon. An early creation with Uderzo, Oumpah-pah, was also adapted for serial publication inTintin from 1958-1962. In addition, Goscinny appeared in the magazines Paris-Flirt (Lili Manequin with Will) and Vaillant (Boniface et Anatole with Jordom, Pipsi with Godard).

Asterix_GoscinnyIn 1959, the Édifrance/Édipresse syndicate started the comics magazine Pilote. Goscinny became one of the most productive writers for the magazine. In the magazine’s first issue, he launched his most famous creation Astérix, with Uderzo. This series was an instant hit and is now known worldwide. Goscinny also restarted the series Le Petit Nicolas and Jehan Pistolet, now called Jehan Soupolet. Goscinny also began Jacquot le Mousse and Tromblon et Bottaclou with Godard.

The magazine was bought out in 1960, and Goscinny became editor-in-chief. He also began new series like Les Divagations de Monsieur Sait-ToutLa Potachologie IllustréeLes Dingodossiers, and La Forêt de Chênebeau. He launched Calife Haroun El Poussah in Record, a series that was later continued in Pilote as Iznogoud.

Goscinny died at 51, in Paris of cardiac arrest on 5 November 1977, during a stress test at his doctor’s office. He was buried in the Jewish Cemetery of Nice. In accordance with his will, most of his money was transferred to the chief rabbinate of France.