Eileen Dietz (born January 11, 1945, Bayside, New York) is an American actress who is best known for her appearances in many horror films such as the face of the demon in The Exorcist and for her portrayal of characters on the soap operas Guiding Light and General Hospital.
As a child, Dietz appeared in commercials with her twin sister Marianne, and beginning at the age of 12 she started studying acting at the Neighborhood Playhouse. She made her television debut in 1963 in a small guest role on The Doctors. Shortly thereafter she landed a recurring role on the soap opera Love of Life. She made her film debut starring in the 1966 movie Teenage Gang Debs as Ellie. The following year she portrayed Penny Wohl in the critically acclaimed independent film Holzman’s Diary. The film never got much in the way of theatrical distribution despite having Dietz’s nude scene featured in Life Magazine’s photo spread and in the book of the film. She didn’t recall if she auditioned for the role of Penny but she added, “it was a fun shoot.”
Dietz spent much of the late 1960’s and early 1970’s appearing in theatre productions. In 1972, she portrayed an androgynous runaway in the premiere of Joyce Carol Oates’ Ontological Proof of My Existence. Her portrayal in the play led to an invitation to do a screen test for William Friedkin film The Exorcist. She was cast in two memorable roles in the film: The Demon (better known as The Face of Death), for this role, Dietz actually only appeared on film for 8–10 seconds; and the ‘Possessed Regan’ (the Linda Blair character). In The Exorcist Pazuzu appears as a demon who possesses Regan McNeil; Pazuzu a fictional character and the main antagonist in The Exorcist novels and film series created by William Peter Blatty. Blatty derived the character from Assyrian and Babylonian mythology, where Pazuzu was considered the king of the demons and of the wind, and the son of the god Hanbi.
In 1980, Dietz joined the cast of General Hospital as Sarah Abbott, a role she played for several years. She also appeared as a guest star on Trapper John, M.D. (1982) and in the horror film Freeway Maniac (1989). More recent film credits include Naked in the Cold Sun (1997), Hurricane Festival (1997), Bad Guys (2000), Exorcism (2003), The Mojo Cafe (2004), Neighborhood Watch (2005), Constantine (2005), Karla (2006), Creepshow III (2006), Dog Lover’s Symphony (2006), and Tracing Cowboys (2008).
2009 was a very busy year for Dietz. She had several films coming out, including Stingy Jack, H2: Halloween 2, See How They Run, The Queen of Screams (2009), Butterfly, Second Coming of Mary,Legend of the Mountain Witch, and Monsterpiece Theatre Volume 1.
Pierre Teilhard de Chardin SJ (Society of Jesus), (May 1, 1881 – April 10, 1955) was a French philosopher and Jesuit priest who trained as a paleontologist and geologist and took part in the discovery of Peking Man and Piltdown Man. Teilhard conceived the idea of the Omega Point (the maximum level of complexity and consciousness towards which he believed the universe was evolving) and developed Vladimir Vernadsky’s concept of Noosphere (sphere of human thought). Some of his ideas came into conflict with the Magisterium of the Catholic Church. He was reprimanded and his works were denounced by the Holy Office.
Teilhard’s primary book, The Phenomenon of Man, set forth a sweeping account of the unfolding of the cosmos. Teilhard views evolution as a process that leads to increasing complexity. From the cell to the thinking animal, a process of psychical concentration leads to greater consciousness. The emergence of Homo sapiens marks the beginning of a new age, as the power acquired by consciousness to turn in upon itself raises humankind to a new sphere. Borrowing Julian Huxley’s expression, Teilhard describes humankind as evolution becoming conscious of itself.
In Teilhard’s conception of the evolution of the species, a collective identity begins to develop as trade and the transmission of ideas increases. Knowledge accumulates and is transmitted in increasing levels of depth and complexity. This leads to a further augmentation of consciousness and the emergence of a thinking layer that envelops the earth. Teilhard calls the new membrane the “noosphere” (from the Greek “nous,” meaning mind), a term first coined by Vladimir Vernadsky. The noosphere is the collective consciousness of humanity, the networks of thought and emotion in which all are immersed.
The development of science and technology causes an expansion of the human sphere of influence, allowing a person to be simultaneously present in every corner of the world. Teilhard argues that humanity has thus become cosmopolitan, stretching a single organized membrane over the Earth. Teilhard describes the process by which this happens as a “gigantic psychobiological operation, a sort of mega-synthesis, the “super-arrangement” to which all the thinking elements of the earth find themselves today individually and collectively subject.” The rapid expansion of the noosphere requires a new domain of psychical expansion, which “is staring us in the face if we would only raise our heads to look at it.”
In Teilhard’s view, evolution will culminate in the Omega Point, a sort of supreme consciousness. Layers of consciousness will converge in Omega, fusing and consuming them in itself. The concentration of a conscious universe will reassemble in itself all consciousnesses as well as all that we are conscious of. Teilhard emphasizes that each individual facet of consciousness will remain conscious of itself at the end of the process.
He had abandoned traditional interpretations of creation in the Book of Genesis in favor of a less strict interpretation. This displeased certain officials in the Roman Curia and in his own order who thought that it undermined the doctrine of original sin developed by Saint Augustine. Teilhard’s position was opposed by his Church superiors, and some of his work was denied publication during his lifetime by the Roman Holy Office. The 1950 encyclical Humani generis condemned several of Teilhard’s opinions, while leaving other questions open. However, some of Teilhard’s views became influential in the reforms of the Second Vatican Council. More recently, Pope John Paul II indicated a positive attitude towards some of Teilhard’s ideas. In 2009, Pope Benedict XVI praised Teilhard’s idea of the universe as a “living host”.
Teilhard and his work have a continuing presence in the arts and culture. He inspired a number of characters in literary works. References range from occasional quotations—an auto mechanic quotes Teilhard in Philip K. Dick’s A Scanner Darkly, to inspiring William Peter Blatty to base the character of Father Lankester Merrin in his blockbuster novel The Exorcist on Teilhard. In Dan Simmons’ 1989–97 Hyperion Cantos, Teilhard de Chardin has been canonized a saint in the far future. His work inspires the anthropologist priest character, Paul Duré. When Duré becomes Pope, he takes Teilhard I as his regnal name.
If you’re in Los Angeles anytime between July 3 and August 12, get down to the Geffen Playhouse to see the stage adaptation of William Peter Blatty’s The Exorcist. If anyone out there manages to see this production, please post a review.
SYNOPSIS: The most chilling test of faith comes to life on stage. This world premiere adaptation of the famous 1971 novel documenting the terror and redemption of a ten-year-old girl remains as frightening and relevant as when first experienced. Under the direction of Tony Award winner John Doyle and adapted by acclaimed playwright John Pielmeier (Agnes of God), The Exorcist transforms the unsettling battles of good versus evil, faith versus fact and ego versus ethos into a uniquely theatrical experience as sophisticated as it is suspenseful.
Jason Miller (April 22, 1939 – May 13, 2001) was an American actor and playwright. He received the 1973 Pulitzer Prize for Drama for his play That Championship Season, and was widely recognized for his role as Father Damien Karras in the 1973 classic horror film The Exorcist.
Miller was born John Anthony Miller in Long Island City, Queens. His family moved to Scranton, Pennsylvania, where Miller was educated at St. Patrick’s High School and the Jesuit-run University of Scranton. He then attended The Catholic University of America (CUA) in Washington, D.C.
Miller was launched into stardom in 1973 by winning a Pulitzer Prize for his play, That Championship Season. The original Broadway cast featured Charles Durning, Richard Dysart, Paul Sorvino, and Michael McGuire. That same year, he was offered the role of the troubled priest, Father Damien Karras, in William Friedkin’s horror film The Exorcist (1973), for which he was nominated for an Academy Award for Best Supporting Actor.
Miller played Father Damien Karras, in The Exorcist, and its real sequel The Exorcist III. Father Karras was one of the priests (with Father Merrin played by Max von Sydow) who exorcises the demon from young Regan McNeil (Linda Blair). He is a Jesuit psychiatrist suffering a crisis of faith. He searches for proof to lead an exorcism, yet during his investigation he comes to realize that there is no better way for God to prove His own existence than to reveal the foul presence of a demon. During the exorcism, the demon frequently brings up the subject of Karras’s mother’s death and how he wasn’t there to see her die, which seems to trouble Karras emotionally.
In the sequel, The Exorcist III, it is revealed that after the demon departed, another evil spirit invaded Karras’s body. Karras was found wandering and amnesiac and was placed in the care of a mental hospital near Washington, D.C. While incarcerated there, the spirit suppresses Karras’s personality and makes forays into the bodies of other patients in order to commit a series of ritual murders.
In 1982 Miller directed the screen version of That Championship Season. Featured in the cast were Robert Mitchum (replacing William Holden, who died before filming began), Paul Sorvino, Martin Sheen, Stacy Keach, and Bruce Dern. His own film career was sporadic, preferring to work in regional theatre. He starred as Henry Drummond in the Philadelphia production of Inherit the Wind. The show is to date the longest running production in Philadelphia history.
Miller co-founded the Scranton Public Theatre. With SPT, Miller directed and starred in various productions including Blithe Spirit, California Suite, Crimes of the Heart, and The Lion in Winter. He also acted occasionally in such films as The Dain Curse (1978), The Ninth Configuration (1980), Toy Soldiers (1984), and Rudy (1993), playing a role close to his heart, Notre Dame football coach Ara Parseghian.
In 1998, he toured his one-man play Barrymore’s Ghost, ending the tour with a four-month run off-Broadway. In October 2000, he performed Barrymore’s Ghost in a successful and critically acclaimed production in Philadelphia. His last project was a 2001 revival of The Odd Couple for the Pennsylvania Summer Theatre Festival, in which he was to appear in the role of Oscar Madison but died before the production opened.
Miller was the father of actors Jason Patric (by first wife Linda Gleason, daughter of Jackie Gleeson) and Joshua John Miller (by second wife Susan Bernard). In 1982 Miller returned to Scranton to become artistic director of the Scranton Public Theatre, a new regional theatre company founded the year before. On May 13, 2001, Miller died of a Heart attack in Scranton, Pennsylvania, aged 62.
Another nice LEGO image, this time of the classic levitating scene from The Exorcist.