A fantastic Indiegogo campaign for all fans of Planet of the Apes. For over a century, Makeup Artists have dazzled audiences by creating extraordinary characters and creatures on screen. They make the impossible seem possible. 50 years ago, a group of ambitious artists led by JOHN CHAMBERS and TOM BURMAN ushered in a new era in cinema with their ground-breaking work on PLANET OF THE APES.
Now… MAKING APES: THE ARTISTS WHO CHANGED FILM is telling that incredible story!
Back the project HERE
MAKING APES: THE ARTISTS WHO CHANGED FILM is an upcoming feature length documentary about the Hollywood makeup artists who created the iconic makeups seen in the original 1968 classic Planet of the Apes and their impact on cinema.
Featuring interviews with makeup artists and actors from the original film franchise, modern makeup artists and filmmakers who were deeply influenced by the franchise and film historians who recognize Planet of the Apes as a breakthrough moment in cinema, this is a story 50 years in the making.
Many regard Planet of the Apes as a breakthrough moment for the motion picture industry. It is the film that proved anything could be done on screen. The impact was so great that makeup artist John Chambers was presented an Honorary Academy Award for Excellence in Makeup almost 12 years before The Oscars created a yearly category for the craft.
Revered cinematographer Roger Deakins has ‘never worked on a film with so many different sets and lighting challenges’ as ‘Blade Runner 2049.’
Denis Villeneuve’s sequel to Ridley Scott’s 1982 original film looks to be a jaw-dropping mix of visual feats that stay true to both the story and the technical innovation that made Blade Runner an instant classic. Villeneuve acknowledges this legacy, stating “I have massive respect for the world Ridley created. Blade Runner revolutionized the way we see science fiction.”
Villeneuve is likely the right man for the job, as he took science fiction down an entirely new road himself, ostensibly reinventing the hackneyed alien genre with 2016’s Arrival, for which he was nominated for an Academy Award in Directing.
Blade Runner 2049 indeed brings several heavy-hitters to the table to help ensure its success, including no less of a cinematographer than multiple Oscar-nominated Roger Deakins, who also shot for Villeneuve on 2015’s Sicario. No stranger to complex action movies (the James Bond hit Skyfall, for one), Deakins admits in the featurette, “I’ve never worked on a film with so many different sets and lighting challenges. Technically, it’s quite challenging.”
Special effects pioneer Ray Harryhausen, whose work influenced filmmakers such as Steven Spielberg, James Cameron, Peter Jackson and George Lucas, died in London. He was 92. His family announced the death via The Ray and Diana Harryhausen Foundation Facebook page. The Oscar and BAFTA award winner was known as the master of stop-motion animation on such films as 1963′s Jason And The Argonauts, for which he’s remembered for his extraordinary animation of seven sword-fighting skeletons. In 2003, Harryhausen wrote: “Each of the model skeletons was about eight to 10 inches high, and six of the seven were made for the sequence. The remaining one was a veteran from The Seventh Voyage Of Sinbad, slightly repainted to match the new members of the family. When all the skeletons have manifested themselves to Jason and his men, they are commanded by Acetes to ‘Kill, kill, kill them all,’ and we hear an unearthly scream. What follows is a sequence of which I am very proud. I had three men fighting seven skeletons, and each skeleton had five appendages to move in each separate frame of film. This meant at least 35 animation movements, each synchronised to the actors’ movements. Some days I was producing less than one second of screen time; in the end the whole sequence took a record four and a half months.”
Harryhausen’s fascination with animated models began in the early 1930’s after watching Willis O’Brien’s creations in King Kong with his childhood friend, the late Ray Bradbury. He began his lifelong adventure in filmmaking with his own home movies that featured his first attempts at model animation. His genius was in bringing his models to life, becoming characters in their own right. The signature technique he devised blending rear projection and stop-motion animation came to be known as Dynamation and was applied in the majority of his other major works, which include Mighty Joe Young (1949), It Came From Beneath The Sea(1955), 20 Million Miles To Earth (1957), Mysterious Island (1961), One Million Years B.C. (1966), The Valley Of Gwangi, (1969), The Golden Voyage Of Sinbad(1973), Sinbad And The Eye Of The Tiger (1974) and Clash Of The Titans (1981).
Check out a compilation of every Harryhausen creature, in chronological order: