Whannell was born in Melbourne, Australia, and believes that he inherited his love of storytelling from his mother and his fondness of filmmaking from his father (Whannell’s father was a cameraman in the television industry). A writer since childhood, Whannell worked as a reporter and film critic for several Australian television shows, including ABC’s Recovery, a Saturday morning youth-oriented program. Whannell has described the show in a 2011 blog post:
The result was that instead of following the usual MTV ideal of what teenagers want in a TV show—“Hey kids, coming up next we’ve got some seriously WICKED windsurfing moves!!”—Recovery managed to tap into the so-called “alternative” movement that was in full swing at the time by giving teenagers what they actually want: genuine, unpolished anarchy.
Whannell had originally auditioned for the host role, but was later employed as a reporter; Whannell’s first interview was with Jackie Chan and he has stated that “Recovery is the best job I’ve ever had …”
In 2003, Whannell appeared in a minor role in The Matrix Reloaded. While in film school, Whannell met James Wan, who would eventually go on to direct the horror film Saw (co-written by Wan and Whannell) in 2004. After making a short film to showcase the intensity of the script, the feature film was made and became a low-budget sleeper hit in late 2004. Whannell played Adam Stanheight in the film, one of the main characters. The popularity of Saw led to a sequel, Saw II, which was directed and co-written by another young horror filmmaker, Darren Lynn Bousman, and on which Whannell co-wrote and revised Bousman’s original script, titled The Desperate. Whannell also served as an executive producer.
Around the same time, Whannell returned to collaborate with Wan and they wrote a film called Dead Silence, which Wan directed. It was slated for a 2006 release, but small problems with the title pushed the release date back to March 2007. In 2006, the duo composed the story for Saw III, with Whannell writing the screenplay for the third time. It was again directed by Bousman and was released on 27 October 2006. Whannell has a featured cameo, reprising his role as Adam. Saw III was a huge financial success and raked in $33,610,391 on its opening weekend, making around $129,927,001 worldwide (after 38 days in cinemas) and is currently the most successful Saw film to date.
Whannell’s writing partner, Wan, was chosen to direct the film Death Sentence, the first feature film with their participation that they did not write themselves. Whannell has a small role as Spink in Death Sentence.
In 2008, Whannell took off his “writing hat” to perform alongside Nathan Phillips in Dying Breed, a low-budget Australian horror film about a team of zoologists exploring the Tasmanian wilderness to locate a creature thought extinct, the thylacine, aka Tasmanian tiger. Instead, they wander into the domain of cannibals who retain their infamous ancestor Alexander Pearce’s taste for human flesh, and become prey.
Before and during the production of Saw, Whannell sought medical treatment. “I was going through a bit of a tough time healthwise and suffering anxiety,” says Whannell. “The anxiety manifested itself in physical ways. I was suffering headaches everyday for nearly a year. It was serious stuff and really started affecting my life.” Spending time in a hospital inspired him to endow the lead antagonist of the Saw series, Jigsaw/John Kramer, with cancer. “It was weird to be 25 and sitting in a neurological ward and I’m surrounded by people who actually had brain tumors. It was very scary and it was my first proper look at mortality. I really wanted to get my health back and it really hammered home how important good health is. If you’ve got that, you’ve got everything.”
Whannell wrote the script for and acted in the 2011 paranormal thriller film, Insidious, which was directed by Wan and produced by Oren Peli of the Paranormal Activity franchise. A sequel, Insidious, Chapter 2 is due out in late 2013.
In relation to the Saw franchise, Whannell stated, also in 2011: It’s hard to say definitively, because we don’t own the copyright for it. The producers could make 10 more if they wanted to. But, if we’re to take them at face value, they told us that they were definitely done with it. They’re pretty exhausted. They’ve been making one a year every year for the past seven years, so I think they need some time off.
French director Xavier Gens first made a name for himself in the horror community with Frontier(s), which premiered as part of the Toronto festival’s Midnight Madness program. He diverted into semi-mainstream fare with the very ill-fated adaptation of Hitman, then went back to more hardcore genre fare with The Divide, which hits theaters on January 13, 2012.
Slash Film reports that Gens is set to direct a film that will be produced by horror director James Wan (Saw, Insidious). He’s taking over from Javier Gutierrez, who was set to direct earlier this year. The movie is House of Horror, which focuses on “a gruesome crime scene” that is the aftermath of a massacre, and will blend found footage and traditional photography.
SYNOPSIS: The House of Horror is a horror-thriller that centres around a gruesome crime scene. The film is shot with a blend of found footage, interrogation video, news cameras and classical cinematography. The film focuses on the aftermath of a horrific massacre; five college students, brutally murdered inside a decrepit, abandoned home.
We are thrown right into the mix as the lead Detective, Mark Lewis, and the police department’s psychologist, Dr. Elizabeth Klein, question a suspect. The young man at the centre is John Ascot, bound by handcuffs in a mobile command station. During the interrogation, John explains everything leading up to the deaths of his friends.
We discover that they were amateur ghost-hunters, seeking out paranormal phenomenon at the abandoned house believed to be haunted. What started out as a harmless activity turned into something truly terrifying and more than they ever could bargain for. John explains to the police that he isn’t responsible for his friends’ deaths, but rather, it was the house. He tells them he believes the house is a gateway to hell; a place of concentrated evil.
We slowly witness an eerie change in John’s demeanour through the course of the movie. Things take a disturbing turn when John hints at the notion that he is possessed by the Devil. Detective Lewis and Dr. Klein are forced to unravel the mystery of how John’s friends were murdered. All this leads to a stunning revelation about the man they’ve been interrogating and a gut-wrenching conclusion.