Reviews, articles, rants & ramblings on the darker side of the media fringe

Posts tagged “Hannibal Lecter

Modern Monster Mash

There’s a big difference between kooky monsters and psychotic killers. Updating the classic Monster mash with more modern day horror icons such as Hannibal Lecter, Jigsaw, Leatherface, Freddy Krueger, Michael Myers, Jason Voorhees, Samara and the Human Centipede. Check out Modern Monster Mash.


Hannibal Lecter by David Hardy

More wonderful caricature art from Sydney artist David Hardy, an amazing Hannibal Lecter. You can check out Dave’s Facebook page HERE and see his earlier works, Tyrion Lannister from Gane of Thrones HERE and his Rick Grimes from The Walking Dead HERE

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Hannibal – Season 2 Poster Art

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“The idea behind these posters was to play off the duality and hidden nature of Hannibal Lector. I’m a huge fan of the show, and am captivated whenever Hannibal is on screen. Outwardly he’s an immaculately put together gentleman with refined taste, but underneath the carefully constructed facade is a horrible killer.”

“One poster shows you how Hannibal wants you do see him, and the other shows him for what he really is. The blood drips act as visual elements to hint at the gory nature of the show, but also hint at being prison bars. Anyone who’s read the books or seen the movies knows he’s going to be caught one day. But when?” – Justin Erickson, Phantom City Creative



Top 10 Songs from Psychotic Movies

Reposted from Reviewfix.com: Whether it makes one curl up under a blanket in terror or stand to their feet in hair-raising excitement, audiences tend to have a guilty pleasure for psychotic thrillers and characters.

The list below is comprised of the top ten songs from memorable moments in psychopathic thrillers.

The best movies of the genre captivated its audience by taking them on a roller coaster ride where the filmmakers intricately weaved masterful sound design with visuals. They engaged their audience by tactfully placing songs and musical tracks in crucial parts of the film.

Some of them were deemed ironic due to their seemingly irrelevant lyrics, while others told a side story and conveyed a insight into the characters. It is remarkable how these songs and visuals that are sometimes created ages apart can come together on screen and exhilarate us.

These songs and scenes captivated and sometimes repulsed audiences of all kinds. Whichever the case, the duos ranked in this lineup have shocked, amused and offended viewers since their releases.

Whether it is the unlikely combination of the song and the scene, or because the music was harmoniously with the deranged and demented actions of the plot, this top ten list will give psychopathic film lovers a familiar dose of crazy.

10: “After Dark”

Artist: Tito & Tarantula
Movie: From Dusk till Dawn
Criminal brothers Richard and Seth Gecko (Quentin Tarantino and George Clooney) seek refuge at a strip club/brothel called the Titty Twister — also a vampire nest. There they encounter Santanico Pandemonium (Salma Hayek), a vampire queen and her hive. Before the hive’s vampire identity is revealed, Hayek seductively dances to Tito & Tarantula’s “After Dark” with a snake on her shoulders, while serenading the men before her meal.

9: “The Greatest Love of All”
Artist: Whitney Houston, instrumental Performed by The Royal Philharmonic Orchestra
Movie: American Psycho
Patrick Bateman (Christian Bale) discusses his musical proclivities as the intoxicated Elizabeth (Guinevere Turner) makes out with call girl Christie (Cara Seymour). Bateman speaks about the message behind Whitney Houston’s “The Greatest Love of All” as the instrumental by The Royal Philharmonic Orchestra plays in the stereo. He passionately speaks about self-preservation and bettering one’s self all the while he plans to kill both women after he sleeps with them.

8: “The Ride of the Valkyries”
Artist: from Richard Wagner’s “Die Walküre,” performed by The Vienna Philharmonic Orchestra
Movie: From Dusk till dawn
Lieutenant Colonel Bill Kilgore (Robert Duvall) commands a squadron of attack helicopters against a Viet Cong village filled with women and children. The Colonel orders the helicopters to blast Richard Wagner’s “The Ride of the Valkyries” to frighten and intimidate the Vietnamese while simultaneously pumping up his soldiers for battle. As the squadron flies over, the village which moments ago was filled with students and farmers is left ravaged by bombs.

7: “The Way I Walk”
Artist: Cover by Robert Gordon
Movie: Natural Born Killers
Mickey and Mallory Knox (Woody Harrelson and Juliette Lewis) are a killer couple who get a thrill out of murder and mayhem. At a diner, Mallory dances alone by a jukebox while Mickey orders some pie. Two men walk in and notice Mallory. The song changes to Robert Gordon’s “The Way I Walk” and Mallory dances wildly. One of the men pursues to join her, a gesture responded with Mallory’s wrath. Within seconds, the loving couple blissfully kills every person there except just one man, who is left behind to tell of their deeds.

6: “Hold Tight” (1966)
Artist: Dave Dee, Dozy,
Beaky, Mick & Tich
Movie: “Death Proof” (2007)
Arlene, Jungle Julia, Shanna and Lanna (Vanessa Ferlito, Sydney Poitier, Jordan Ladd and Monica Staggs) drive down the highway with their stereo blasted. “Hold Tight” by Dave Dee, Dozy, Beaky, Mick & Tich plays as the girls get in their groove and horse around. Stuntman Mike (Kurt Russel) speeds past the girls’ car in his 1970 Chevy Nova. He makes a u-turn ahead, turns off the headlights and speeds right back towards the girls. Unknowingly, the girls cruise ahead turning up the volume. Mike turns on the headlights before impact and crashes into the girls’ car. The car crash is shown repeatedly from various angles to showcase the severed body parts and the gruesome deaths of each girl.

5: “Banana Split” (1979)
Artist: The Dickies
Movie: “Kick-Ass” (2010)
Vigilante superhero Hit-Girl (Chloe Grace Moretz) comes to the rescue of Kick-Ass (Aaron Taylor-Johnson), another costumed hero, in a drug dealer’s den. With a butterfly knife and her Mindy Stick (a staff weapon with two katanas at each end) Hit Girl stabs, slashes and chops off body parts until every criminal in the apartment is dead. The Dickies’ “Banana Split” is used as a soundtrack while the 11 year old girl kills everyone with glee.

4: “Hip to be Square” (1986)
Artist: Huey Lewis & The News
Movie: “American Psycho” (2000)
The complexity of Patrick Bateman’s (Christian Bale) intellect are exemplary in this scene. Bateman drugs his coworker, Paul Allen (Jared Leto) with a drink . The couches are covered with sheets and the floor with the style section of the newspaper. As he talks about Huey Lewis to Allen, Bateman puts on a rain coat and turns on “Hip to be Square.” He dances back to pick up an axe and speaks about how the band makes a statement through the song, all the while making a statement about himself. Bateman then axes down Allen with raw vigor and excitement.

3: “Goodbye Horses” (1988)
Artist: Q Lazzarus
Movie: “Silence of the Lambs” (1991)
Jame Gumb aka Buffalo Bill (Ted Levine), a serial killer has kidnapped a young girl, Catherine Martin (Brooke Smith) and locked her in a well in his basement. Q Lazzarus’s “Goodbye Horses” plays as Bill dresses in a women’s clothing and puts on makeup. He uses lipstick, jewelry, human skin and hair to doll himself up. Bill then sets up a camera to dance and experiment in front of it. The scene crosscuts between Martin trying to escape out of the well with Bill’s playtime. The scene shows the extent of Bill’s insanity and foreshadows what could become of Martin’s future.

2:”Stuck in the Middle With You” (1972)
Artist: Steeler’s Wheels
Movie: “Reservoir Dogs” (1992)
Vic Vega aka Mr. Blonde (Michael Madsen) has kidnapped a cop, Officer Marvin Nash (Kirk Baltz) after a heist. While his crew is out, Mr. Blonde is left alone in the safe house with a wounded accomplice and Officer Nash. Seizing the opportunity, he turns on the radio and takes out a razor from his boot. As “Stuck in the Middle With You” by Steeler’s Wheels plays on the radio, Mr. Blonde dances and slashes the officer’s face while taunting him. He then cuts the officer’s right ear off and gets a gallon of gasoline from his car. Still dancing, he drenches the officer with gasoline for what’s next.

1:”The Last Waltz” (1941)
Artist: from “Masquerade,” Last Waltz by Aram Khachaturyan
Movie: “Oldboy” (2003)
Aram Khachaturyan’s “The Last Waltz” is perhaps the most diversely and widely used soundtrack in a single film in the realm of psychotic thrillers. The movie depicts the life of Dae-su Oh (Min-sik Choi), an industrial worker, as he tries to find out the truth behind his mysterious imprisonment of 15 years. This terrifyingly beautiful melody is elegantly played through the most violent and delightful scenes in the movie. Through moments of love, death, sex and incest, the film shows the beauty in something ugly and the horror in something beautiful.


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Overlook Elementary

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Silence of the Lambs – The Inside Story


Silence of the Lambs – Posters by César Moreno

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Silence of the Lambs – Ken Taylor Poster Art

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Hannibal – Premiere on April 4

TV-Hannibal_Mads MikkelsenNBC’s new drama Hannibal has been given a premiere date, April 4, Thursday 10 PM. Between now and April 4, NBC will air Law & Order: SVU repeats in the hour. Hannibal, from Bryan Fuller, Martha DeLaurentiis and Gaumont International TV, stars Mads Mikkelsen and Hugh Dancy. The project is described as a contemporary thriller featuring the classic characters from Thomas Harris’ novel Red Dragon – FBI agent Will Graham (Dancy) and his mentor Dr. Hannibal Lecter (Mikkelsen) — who are re-introduced at the beginning of their budding relationship.


Bad Guys… by Robert M. Ball

Awesome artwork depicting various ‘Bad Guys’ through the cinematic ages… by Robert M. Ball296038_425594624142877_290736491_n


‘Psycho’ Prequel ‘Bates Motel’ Straight to Series

News via The Hollywood Reporter: A&E is checking in to the Bates Motel. The cable network has opted to bypass the traditional pilot stage and order its Psycho prequel Bates Motel straight to series aimed at a 2013 premiere.

From Lost‘s Carlton Cuse and Friday Night Lights‘ Kerry Ehrin, the series is inspired by Alfred Hitchcock’s 1960 classic Psycho and is described as a contemporary exploration of Norman Bates’ formative years. It will explore his relationship with his mother, Norma, and offer a look at the backstory that helped forge the infamous serial killer. It’s been dubbed as a cross between Twin Peaks and Smallville.

The series, which will begin preproduction and casting immediately, is scheduled for a 2013 premiere on A&E. Cuse and Ehrin will executive produce the Universal Television and Carlton Cuse Productions effort. Anthony Cipriano penned the pilot script.

“We are proud to be partnering with Carlton Cuse and Kerry Ehrin on their thrilling reinvention of one of the most compelling characters in cinematic history,” A&E president and GM Bob DeBitetto and A&E exec vp programming Dave McKillop said in a joint statement announcing the news Monday. “It’s a provocative project from two of the best storytellers in the business, and we’re looking forward to getting started.”

Bates Motel marks former Lost co-showrunner Cuse’s first TV project since his run on the island-set ABC drama.

The A&E effort is not the first time a Psycho spinoff has been attempted; NBC aired a 90-minute TV movie titled Bates Motel in 1987. The A&E series also marks the latest serial-killer prequel story, joining NBC’s Silence of the Lambs prequel series, Hannibal, which hails from Pushing Daisies creator Bryan Fuller.

Serial killer prequels and Hitchcock history are both subjects that are currently being explored at other places too. There’s Hannibal, Bryan Fuller’s Silence of the Lambs prequel TV show that is currently in development, for one. Also shooting are Alfred Hitchcock and the Making of Psycho, Fox Searchlight’s behind the scenes drama starring Anthony Hopkins, and The Girl, which features Toby Jones as the famed thriller director.


Hannibal – Mads Mikkelsen

Mads Mikkelsen, has been cast as Hannibal ‘The Cannibal’ Lecter in NBC’s upcoming drama series Hannibal. In his U.S. TV debut, Danish-born Mikkelsen will star opposite Hugh Dancy in the 13-episode series from Gaumont International Television, written and executive produced by Bryan Fuller and executive produced by Martha DeLaurentiis. Will Graham (Dancy) and his mentor Dr. Hannibal Lecter (Mikkelsen) are introduced at the beginning of their budding relationship. Graham is a gifted criminal profiler on the hunt for a serial killer with the FBI who enlists the help of Dr. Lecter, one of the premier psychiatric minds in the country, with no clue about his darker side.

Mikkelsen, most well known for playing Le Chiffre in Casino Royale, is hot after winning the Best Actor prize at the Cannes Film Festival for The Hunt and scoring the villain role in the sequel to Thor, at this stage imaginatively called Thor 2.


‘Hannibal’ on NBC

NBC’s new take on serial killer Hannibal Lecter is shaping up to be quite an interesting (and series-TV-friendly) departure from films like Silence of the Lambs. Reported by socialpsychol HERE in November 2011.

Bryan Fuller (Pushing DaisesHeroes) is taking five pages of backstory about the infamous cannibal psychiatrist from Thomas Harris’ book Red Dragon and using it as the basis for the first couple seasons of his planned drama.

Hannibal, which has received a 13-episode series order, features Lecter solving crimes with empathic FBI profiler Will Graham (Hugh Dancy). For the first time, viewers will spend quality time with Lecter while he’s at large and before the world knows his secrets, working side by side with a similarly brilliant man who is destined to catch him.

“It’s before he was incarcerated, so he’s more of a peacock,” Fuller tells EW.com. “There is a cheery disposition to our Hannibal. He’s not being telegraphed as a villain. If the audience didn’t know who he was, they wouldn’t see him coming. What we have is Alfred Hitchcock’s principle of suspense — show the audience the bomb under the table and let them sweat when it’s going to go boom. So the audience knows who Hannibal is so we don’t have to overplay his villainy. We get to subvert his legacy and give the audience twists and turns.”

“It really is a love story, for lack of a better description, between these two characters,” Fuller says. “As Hannibal has said [to Graham] in a couple of the movies, ‘You’re a lot more like me than you realize.’ We’ll get to the bottom of exactly what that means over the course of the first two seasons. But we’re taking our sweet precious time.”

“Doing a cable model on network television gives us the opportunity not to dally in our storytelling because we have a lot of real estate to cover,” Fuller says. “I pitched a seven-season arc including stories from various [Thomas Harris] books.”

The show will include familiar characters from Harris’ novels, though he’s “Starbucking” the genders of a couple of them. FBI boss Jack Crawford will remain male, but Dr. Alan Bloom is becoming Dr. Alana Bloom, and tabloid journalist Freddy Lounds is becoming tabloid blogger Fredricka Lounds.

Between Hannibal and Fuller’s Munsters reboot pilot Mockingbird Lane, the writer certainly has his hands full. Still, there’s one other TV series idea that we’re all hoping eventually gets off the ground — the return of Star Trek.

Fuller has previously spoken to director-producer Bryan Singer about teaming to reboot the TV franchise, though any movement depends on rights-holder Paramount and Trek’s current creative kingpin, J.J. Abrams (who, of course, knows a thing or two about making TV shows too). The consensus has been that there is unlikely to be a Trek TV show while the current movie franchise is still regularly hitting theaters.

“Bryan and I are big fans of Trek and have discussed a take on what we would do, and we would love to do it,” Fuller says. “I don’t think anything is going to happen in any official capacity until after the next movie comes out. And I’m sure it would be wisely under J.J. Abrams’ purview of what happens. He’s the guardian of Trek right now.”


New Dracula Series at NBC

NBC is giving the classic vampire tale of Count Dracula a contemporary spin. The network has teamed with producers Tony Krantz and Colin Callender and writer Cole Haddon for a Dracula series eyed for both the U.S. and international marketplace. The project, developed for NBC and NBCU’s international channels, has a “script-to-series” commitment, meaning that it won’t go through a pilot stage but straight to series if NBC brass like the script, which is currently being written by Haddon. Set in the 1890s, it is described as “Dangerous Liaisons meets The Tudors” and as a big, sweeping international soap opera that is young, sexy and supernatural. Frequent collaborators Krantz and Callender are executive producing, with Flame’s Reece Pearson co-executive producing.

In the deal for Dracula, NBC employed the same model it is using for another drama project about an iconic villain, Hannibal. That project, written by Bryan Fuller and produced by Gaumont International Television, also has a commitment for a script against 13-episode order. Both shows have pre-sold titles, along with Fuller’s Munsters reboot, which was recently picked up to pilot by NBC. Vampires have been hot on the big and the small screen lately with the blockbuster Twilight movie franchise and hit series True Blood and The Vampire Diaries. In addition to Dracula, TV producer/feature director Kratz and former HBO executive-turned-producer Callender have another drama project at NBC and Universal TV, The Fixer, based on the life of top New York attorney Edward Hayes.

Cole Haddon has experience with rebooting classic dark characters. His feature script Hyde, about an allegedly rehabilitated Dr. Jekyll, landed on the 2010 Black List. The project is being developed by Dark Horse Entertainment, Mark Gordon Prods. and  Skydance Prods.


Hannibal & the Munsters – New TV from NBC

Bryan Fuller may have two series on NBC; the man behing ‘Pushing Daisies’ is behind two high-profile projects, The Munsters and Hannibal, both of them on a script-to-series track. Fuller originally developed a reboot of the 1960s comedy series The Munsters last season and his was one of very few scripts new NBC chief Bob Greenblatt kept in play when he took over the network in January. Greenblatt rolled the project to get it redeveloped by his team. Fuller’s new outline submitted in September was received well (it was the talk of NBC’s pre-Emmy party), and his draft was just delivered last Friday.

Word is that NBC, which may pull the trigger on a series order as early as this week, envisions the new Munsters as a potential summer or event series. Like Fuller’s previous series, Pushing Daisies, the  project features striking visuals mixed with all the classic Munsters archetypes. Grandpa Sam Dracula is essentially Dracula who assembled Herman because no man was good enought for his daughter Lily, a sexy vamp. Lily’s niece Marilyn the freak is actually normal and Lily and Herman’s only child, Eddie, has his werewolf tendencies surface in puberty, forcing the family to relocate to their famous 1313 Mockingbird Lane address.

Separately, Fuller is writing Hannibal, a drama series for Gaumont International Television and producer Martha De Laurentiis, which NBC just bought preemptively. Fuller is writing the script about based on the iconic literary and film character Hannibal  Lecter against a 13-episode commitment, meaning that  the script will trigger a 13-episode series if NBC likes it. (NBC has a short window to decide upon receiving the draft, with a potential release triggering a penalty.) I hear the network first got interested in the project when Fuller  mentioned it casually to the network’s new entertainment president  Jennifer Salke over drinks. A well-known foodie as evidenced by Pushing Daisies, apparently Fuller was attracted to the dark, sick side of Hannibal, who tends to feast on his victims.