Reviews, articles, rants & ramblings on the darker side of the media fringe

Posts tagged “Christian Bale

American Psycho on Broadway!

american-psycho_final-posterOff-Broadway powerhouse Second Stage will present the U.S. premiere of the much praised (and much debated) American Psycho, the musical adaptation of Bret Easton Ellis’ 1991 novel (and 2000 Christian Bale-starring film) about excess, murder and flashing the right labels. The show — with music by Duncan Sheik, book by Roberto Aguirre-Sacasa, staging by Rupert Goold and a starring performance by Matt “Dr. Who” Smith – opened last December at London’s Almeida Theatre and was considered a shoo-in for Broadway next season. It still may be.

That’s a challenge for the Ellis novel, which prompted furious protests from feminist and human rights groups in reaction to its explicit, play-by-play depiction of the brutal torture and murder of women at the hands of protagonist Patrick Bateman, which the book’s defenders insisted was satire of a society gone mad with material obsession and moral vacuity. The musical has inspired almost inevitable comparisons to Sweeney Todd.

54 Below Press Preview With Duncan Sheik, Sierra Boggess, Alice Ripley, Paulo Szot, Anat Cohen And Maucha Adnet,The Almeida production of American Psycho prompted mostly favorable reviews along with some dissenting voices: “Goold’s production [has] a cool wit that actually enhances the story’s satire,” wrote Michael Billington in The Guardian. “Sheik’s music also evokes Bateman’s Eighties pop icons, such as Phil Collins, and provides an ironic commentary on the action. Instead of stand-alone songs Sheik gives us music that reflects the world the characters inhabit…This is a show that confirms the mythic power of Easton Ellis’s story and leaves us all dangerously entertained.”

american-psycho_matt-smithCharles Spencer, in The Telegraph, demurred: Sheik, he wrote, had told an interviewer that he initially thought it ” ‘was the worst idea for a musical ever.’ I rather agree, but although I cordially disliked this show, I suspect it is going to be a big hit and that a transfer to either the West End or Broadway is inevitable, especially since it stars the soon to be retired Doctor Who, Matt Smith as the psychotic Patrick Bateman…You could sense the audience lapping up this empty mixture of ironic style and sudden moments of violence, and there is no doubt that Rupert Goold’s production is smart and sharp. But like the novel on which it is based, it is also glib, heartless and pretentious.”


1/6 Scale Batman Armory with Alfred & Batman

Pre-Order now for next Christmas… If anyone wants to get me one for my new office you can check out the stats HERE

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American Psycho – The Musical

American Psycho_bannerDONATE NOW: A brand new musical, based on the iconic novel by Bret Easton Ellis, is coming to the Almeida Theatre in London this December.

AMERICAN PSYCHO paints the shocking, funny and unsettling portrait of Patrick Bateman, a 26-year-old Manhattan investment banker with a designer lifestyle and a twisted mind. The novel was originally published in 1991 and has remained a part of contemporary pop-culture ever since. In 2000, Lionsgate released the celebrated film version directed by Mary Harron and featuring Christian Bale in his star-turning performance.

The Almeida Theatre and Headlong are two of the UK’s most impressive non-profit theatre companies. They make extraordinary work and keep it universally accessible through funding from public agency Arts Council England, charitable grants and the generosity of individual and corporate donors.

Bring your raincoats… donate HERE


The Dark Knight Trilogy – Poster Art

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The Dark Knight Rises – Madrid Street Art

After a weekend of tragic news surrounding the midnight screenings of The Dark Knight Rises, it feels slightly pointless to post this image from Madrid on the eve of the film’s opening there, however, it’s such a joyful image of people celebrating the release with style, that I wanted to share it.


The Dark Knight Rises ****½

Eight years after the events of The Dark Knight, Bruce Wayne (Christian Bale) is a reclusive Howard Hughes-like figure, hidden away in Wayne manor, mentally and physically broken from his battles as Batman. Gotham has largely forgotten Batman, believed to be responsible for the death of the lionised Harvey Dent, the city has moved on since the end of The Dark Knight.

Wayne still lives with his loyal butler Alfred (Michael Caine), as ever, the heart of these films and Bruce Wayne’s link to humanity, who reminds him that he isn’t living his life.

Lured back into the world by two women, Miranda Tate (Marion Cotillard), socialite investor in Wayne Enterprises’ clean-energy programs, and cat burglar Selina Kyle (Anne Hathaway), Wayne finds his world and Gotham on the brink of collapse when a new villain, the remorseless Bane (Tom Hardy), emerges with a plan to destroy Gotham and everyone in it. Batman must return to confront this new threat, to save both Gotham and his own legacy from ashes.

You really need to have seen Batman Begins before watching The Dark Knight Rises. Bane’s modus operandi is similar in tone to that of Ra’s Al Ghul, Batman’s former mentor and nemesis. Bane states that: “Gotham is beyond saving and must be allowed to die” and he means it, targeting Gotham’s stock exchange and football stadium in two hugely impressive set-pieces.

Modern-day themes and fears are central to this final part of Christopher Nolan’s Dark Knight trilogy; corporate collapse, global and local terrorism, and class warfare (people may draw parallels with the recent ‘occupy’ protests), which could be lifted from any recent headline. These are distilled in the dubious motivations of Bane, who for all his ‘smash the system’ rhetoric actually makes a few good points.

In Bane, Batman faces an enemy with similar motivation of the Joker, but in a much more physically imposing form. Hardy manages to instil Bane with some personality beyond his face mask and monolithic appearance, however his performance, and especially his dialogue delivery suffers due to the constraints of his mask.

Catwoman (Anne Hathaway), although still oozing sex-appeal, is less fetishist than in previous outings, here she’s a real presence, with a real story arc and a sly sense of humour, she has great chemistry with Bale.

Unlike The Dark Knight, where The Joker was central to the whole, here the film revolves around Batman, and fittingly, this is also Christian Bale’s best performance in the role, he was always good as Bruce Wayne, portrayed this time as an older, more thoughtful, melancholic character, and this time his Batman is a more fully rendered character.

The returning cast of Michael Caine and Gary Oldman are as solid as ever, Marion Cotillard is restrained and the introduction of Joseph Gordon-Levitt as an earnest young police officer gives the audience hope for Gotham’s future.

As with Nolan’s previous Batman movies, this is more dark and serious than most superhero movies, and the previous Batman outings. There are many ideas thrown around in this film, not all of which lead to the expected conclusions, and it feels like Nolan has tried to fit a little too much in there, however the film works, it is spectacular entertainment.

It is visually beautiful, and cinematic on a massive scale, again due to Nolan regular, Wally Pfister’s gorgeous cinematography and fantastic production design by Nathan Crowley.

The film is also quite long, the first half build-up gives each character their moments, as well as a backstory that encompasses the previous movies and beyond; as it moves into a massive second half everything is geared towards a spectacularly ambitious conclusion. It’s been a big year for superheroes, with Marvel’s The Avengers and The Amazing Spider-Man already box-office hits; it’s time for DC’s Dark Knight to stake his claim back at the top where he belongs.

Quality: 5 out of 5 stars

Any good: 4 out of 5 stars


The Dark Knight Rises – Fan Poster Art