Set in an arid future, where dwindling water supplies are sending the inhabitants of a city to the brink of chaos, Jason Wishnow’s “low-fi sci-fi” short The Sand Storm presents us with a dystopian vision of a potential life on Earth, based on real concerns over diminishing resources. Starring Chinese contemporary artist Ai Weiwei, making his acting debut and shot by renowned cinematographer Christopher Doyle (Hero, In the Mood For Love), this high-profile short transports viewers into a frighteningly believable projection of what could happen to our world if gripped by a global water shortage.
Feeling a little narratively unbalanced, Wishnow’s story focuses largely on a love-triangle, with the film’s most interesting character, Ai Weiwei’s water smuggler, feeling a little like he’s left on the peripheries. Described as “the implied set-up to an even bigger story”, whilst The Sand Storm does feel a little incomplete, as an introduction to a universe we’ll hopefully see more of, it’s a perfect set-up. Presenting us with just enough glimpses of his intriguing futuristic world and leaving us eager to find out more about Ai Weiwei’s character, it feels like we’re just seeing the very tip of Wishnow’s promising narrative.
September 19, 2014 | Categories: Sci-Fi, Short Films | Tags: Action, Actors, Ai Weiwei, Art, China, Chinese, Christopher Doyle, Conflict, Controversial, Cult, Disturbing, Dystopia, Dystopian, Festival, Foreign, Icons, Images, Independent, Jason Wishnow, Post Apocalyptic, Sci-Fi, Suspense, Thriller, Violence, Water Shortage | Leave a comment
Bruce Lee (born Lee Jun-fan; 27 November 1940 – 20 July 1973) was a Chinese American actor, martial arts instructor, philosopher, film director, film producer, screenwriter, and founder of the Jeet Kune Do martial arts movement. He is widely considered by many commentators, critics, media and other martial artists to be the most influential martial artist, and a cultural icon.
Lee was born in San Francisco to parents of Hong Kong heritage but was raised in Hong Kong until his late teens. It was in Hong Kong where the largest influence on Lee’s martial arts development was his study of Wing Chun. Lee began training in Wing Chun at the age of 13 under the Wing Chun teacher Yip Man in 1954, after losing a fight with rival gang members. Yip’s regular classes generally consisted of the forms practice, chi sao (sticking hands) drills, wooden dummy techniques, and free-sparring. There was no set pattern to the classes. Yip tried to keep his students from fighting in the street gangs of Hong Kong by encouraging them to fight in organized competitions.
After a year into his Wing Chun training, most of Yip Man’s other students refused to train with Lee after they learnt of his ancestry (his mother was half Chinese and half Caucasian) as the Chinese generally were against teaching their martial arts techniques to non-Asians. Lee’s sparring partner, Hawkins Cheung states, “Probably fewer than six people in the whole Wing Chun clan were personally taught, or even partly taught, by Yip Man”. However, Lee showed a keen interest in Wing Chun, and continued to train privately with Yip Man and Wong Shun Leung in 1955.
Lee emigrated to the United States at the age of 18 to claim his U.S. citizenship and receive his higher education. It was during this time that he began teaching martial arts, which soon led to film and television roles.
His Hong Kong and Hollywood-produced films elevated the traditional Hong Kong martial arts film to a new level of popularity and acclaim and influenced martial arts and martial arts films in Hong Kong and the rest of the world. He is noted for his roles in five feature-length films: Lo Wei’s The Big Boss (1971) and Fist of Fury (1972); Way of the Dragon (1972), directed and written by Lee; Warner Brothers’ Enter the Dragon (1973), directed by Robert Clouse; and Game of Death (1978), directed by Robert Clouse. Extended articles on each of these movies will appear here at a later date.
Lee became an iconic figure known throughout the world. Although he initially trained in Wing Chun, he later rejected well-defined martial art styles, favouring instead to use techniques from various sources in the spirit of his personal martial arts philosophy, which he dubbed Jeet Kune Do (The Way of the Intercepting Fist).
On 10 May 1973, Lee collapsed in Golden Harvest studios while doing dubbing work for the movie Enter the Dragon. Suffering from seizures and headaches, he was immediately rushed to Hong Kong Baptist Hospital where doctors diagnosed cerebral edema. They were able to reduce the swelling.
On 20 July 1973, Lee was in Hong Kong, to have dinner with George Lazenby, with whom he intended to make a film. According to Lee’s wife Linda, Lee met producer Raymond Chow at 2 pm at home to discuss the film Game of Death. Lee later complained of a headache, and actress Betty Lee Ting gave him an analgesic (painkiller), he went for a nap and never woke up. He died later that day in Kowloon Tong, he was only 32.
November 28, 2013 | Categories: Biography, Biography: ACTORS | Tags: Actors, Art, Biography, Bruce Lee, Chinese, Chuck Norris, Classic, Controversial, Cult, Dragon, Enter the Dragon, Fighting, Fist of Fury, Foreign, Franchise, Hong Kong, Icons, Images, Jeet Kune Do, Lee Jun-fan, Legend, Martial Arts, Suspense, The Big Boss, Thriller, Violence, Way of the Dragon, Wing Chun, Yip Man | Leave a comment