Reviews, articles, rants & ramblings on the darker side of the media fringe

Posts tagged “American Psycho

Minimal Horror Posters – By Tommy St James

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Minimalist_Horror_Posters_2These minimalist movie posters are inspired by ten horror films. Each one features a pair of objects from a key moment in the movie, but it’s up to you to figure out the name of the film they represent. Check them out HERE


Oh The Horror – Series 2

LEGO is the biggest retail toy in the world, bought by adults and kids alike… new versions of the Ghostbusters car and headquarters, batmobile and Simpsons house have pushed the little bricks to the top of workplace shelves worldwide. Minifigs have been creating specialist figures for some time now, they made Oh The Horror series 1 last year and are back with series 2. Featuring tributes to horror icons such as Freddy, Jason, Michael Myers, Jigsaw, Leatherface, Pinhead, Ghostface, Ash and Norman Bates among others. Get them HERE
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American Psycho on Broadway!

american-psycho_final-posterOff-Broadway powerhouse Second Stage will present the U.S. premiere of the much praised (and much debated) American Psycho, the musical adaptation of Bret Easton Ellis’ 1991 novel (and 2000 Christian Bale-starring film) about excess, murder and flashing the right labels. The show — with music by Duncan Sheik, book by Roberto Aguirre-Sacasa, staging by Rupert Goold and a starring performance by Matt “Dr. Who” Smith – opened last December at London’s Almeida Theatre and was considered a shoo-in for Broadway next season. It still may be.

That’s a challenge for the Ellis novel, which prompted furious protests from feminist and human rights groups in reaction to its explicit, play-by-play depiction of the brutal torture and murder of women at the hands of protagonist Patrick Bateman, which the book’s defenders insisted was satire of a society gone mad with material obsession and moral vacuity. The musical has inspired almost inevitable comparisons to Sweeney Todd.

54 Below Press Preview With Duncan Sheik, Sierra Boggess, Alice Ripley, Paulo Szot, Anat Cohen And Maucha Adnet,The Almeida production of American Psycho prompted mostly favorable reviews along with some dissenting voices: “Goold’s production [has] a cool wit that actually enhances the story’s satire,” wrote Michael Billington in The Guardian. “Sheik’s music also evokes Bateman’s Eighties pop icons, such as Phil Collins, and provides an ironic commentary on the action. Instead of stand-alone songs Sheik gives us music that reflects the world the characters inhabit…This is a show that confirms the mythic power of Easton Ellis’s story and leaves us all dangerously entertained.”

american-psycho_matt-smithCharles Spencer, in The Telegraph, demurred: Sheik, he wrote, had told an interviewer that he initially thought it ” ‘was the worst idea for a musical ever.’ I rather agree, but although I cordially disliked this show, I suspect it is going to be a big hit and that a transfer to either the West End or Broadway is inevitable, especially since it stars the soon to be retired Doctor Who, Matt Smith as the psychotic Patrick Bateman…You could sense the audience lapping up this empty mixture of ironic style and sudden moments of violence, and there is no doubt that Rupert Goold’s production is smart and sharp. But like the novel on which it is based, it is also glib, heartless and pretentious.”


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The Rules of Attraction – Dave Amblard

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Manson Murders

Writer Bret Easton Ellis and director Rob Zombie have teamed with Alcon Television to develop a project for Fox that will revisit the people and events connected to the Manson Family murder spree in August 1969.

The project is envisioned as a limited series, but it is in the very early stages of development with Fox. Ellis is set to write the script and some additional materials. Zombie is on board to direct.

Zombie has long been fascinated by the Manson Family slayings, which left seven people dead in the Los Angeles area. Among the victims were actress Sharon Tate, who was eight and a half months pregnant at the time with the child of director Roman Polanski, and prominent Hollywood hairstylist Jay Sebring.

The killings were so gruesome, and the stories of Charles Manson’s level of control of his drug-addled young followers so disturbing, that Manson was convicted of first-degree murder and conspiracy charges even though he was never found to have committed a homicide himself.

Manson’s clutch of cult followers have been suspected of many other murders during that era. But it was sheer brutality and psychopathic theatricality of the killings (complete with messages written in blood at the crime scenes) unleashed on Aug. 8-9, 1969, that jolted the nation’s psyche.

The Ellis-Zombie collaboration aims to tell converging stories of people and events leading up to and after the murders, from shifting points of view. The project is envisioned as a multipart series, but it is one of many limited series projects in the works and is far away from receiving a greenlight.

The idea for the project began with Zombie and Adam Kolbrenner and Robyn Meisinger of Madhouse Entertainment. They developed the concept and brought it to Ellis and Alcon. To date, no source material has been optioned for the project, which plans to take an original approach to dramatizing stories drawn from the historical record.

Ellis, Zombie and the Madhouse principals will exec produce with Alcon’s Sharon Hall, Andrew Kosove and Broderick Johnson. Ben Roberts and Ryan Cunningham serve as co-producers.

“I have been obsessed with this insane story since I was a kid, so obviously I jumped at the chance to be involved in this incredible project. After speaking with Bret, I immediately realized that we shared the same vision for this epic madness,” Zombie said.

Manson was sentenced to death in 1971, but the sentence changed to life in prison when California abolished the death penalty the following year. He has been denied parole 12 times.

Ellis most recently penned the micro-budgeted Lindsay Lohan starrer “The Canyons,” released last year by IFC. Zombie’s last directorial effort was the 2013 indie “The Lords of Salem.”


Top 10 Songs from Psychotic Movies

Reposted from Reviewfix.com: Whether it makes one curl up under a blanket in terror or stand to their feet in hair-raising excitement, audiences tend to have a guilty pleasure for psychotic thrillers and characters.

The list below is comprised of the top ten songs from memorable moments in psychopathic thrillers.

The best movies of the genre captivated its audience by taking them on a roller coaster ride where the filmmakers intricately weaved masterful sound design with visuals. They engaged their audience by tactfully placing songs and musical tracks in crucial parts of the film.

Some of them were deemed ironic due to their seemingly irrelevant lyrics, while others told a side story and conveyed a insight into the characters. It is remarkable how these songs and visuals that are sometimes created ages apart can come together on screen and exhilarate us.

These songs and scenes captivated and sometimes repulsed audiences of all kinds. Whichever the case, the duos ranked in this lineup have shocked, amused and offended viewers since their releases.

Whether it is the unlikely combination of the song and the scene, or because the music was harmoniously with the deranged and demented actions of the plot, this top ten list will give psychopathic film lovers a familiar dose of crazy.

10: “After Dark”

Artist: Tito & Tarantula
Movie: From Dusk till Dawn
Criminal brothers Richard and Seth Gecko (Quentin Tarantino and George Clooney) seek refuge at a strip club/brothel called the Titty Twister — also a vampire nest. There they encounter Santanico Pandemonium (Salma Hayek), a vampire queen and her hive. Before the hive’s vampire identity is revealed, Hayek seductively dances to Tito & Tarantula’s “After Dark” with a snake on her shoulders, while serenading the men before her meal.

9: “The Greatest Love of All”
Artist: Whitney Houston, instrumental Performed by The Royal Philharmonic Orchestra
Movie: American Psycho
Patrick Bateman (Christian Bale) discusses his musical proclivities as the intoxicated Elizabeth (Guinevere Turner) makes out with call girl Christie (Cara Seymour). Bateman speaks about the message behind Whitney Houston’s “The Greatest Love of All” as the instrumental by The Royal Philharmonic Orchestra plays in the stereo. He passionately speaks about self-preservation and bettering one’s self all the while he plans to kill both women after he sleeps with them.

8: “The Ride of the Valkyries”
Artist: from Richard Wagner’s “Die Walküre,” performed by The Vienna Philharmonic Orchestra
Movie: From Dusk till dawn
Lieutenant Colonel Bill Kilgore (Robert Duvall) commands a squadron of attack helicopters against a Viet Cong village filled with women and children. The Colonel orders the helicopters to blast Richard Wagner’s “The Ride of the Valkyries” to frighten and intimidate the Vietnamese while simultaneously pumping up his soldiers for battle. As the squadron flies over, the village which moments ago was filled with students and farmers is left ravaged by bombs.

7: “The Way I Walk”
Artist: Cover by Robert Gordon
Movie: Natural Born Killers
Mickey and Mallory Knox (Woody Harrelson and Juliette Lewis) are a killer couple who get a thrill out of murder and mayhem. At a diner, Mallory dances alone by a jukebox while Mickey orders some pie. Two men walk in and notice Mallory. The song changes to Robert Gordon’s “The Way I Walk” and Mallory dances wildly. One of the men pursues to join her, a gesture responded with Mallory’s wrath. Within seconds, the loving couple blissfully kills every person there except just one man, who is left behind to tell of their deeds.

6: “Hold Tight” (1966)
Artist: Dave Dee, Dozy,
Beaky, Mick & Tich
Movie: “Death Proof” (2007)
Arlene, Jungle Julia, Shanna and Lanna (Vanessa Ferlito, Sydney Poitier, Jordan Ladd and Monica Staggs) drive down the highway with their stereo blasted. “Hold Tight” by Dave Dee, Dozy, Beaky, Mick & Tich plays as the girls get in their groove and horse around. Stuntman Mike (Kurt Russel) speeds past the girls’ car in his 1970 Chevy Nova. He makes a u-turn ahead, turns off the headlights and speeds right back towards the girls. Unknowingly, the girls cruise ahead turning up the volume. Mike turns on the headlights before impact and crashes into the girls’ car. The car crash is shown repeatedly from various angles to showcase the severed body parts and the gruesome deaths of each girl.

5: “Banana Split” (1979)
Artist: The Dickies
Movie: “Kick-Ass” (2010)
Vigilante superhero Hit-Girl (Chloe Grace Moretz) comes to the rescue of Kick-Ass (Aaron Taylor-Johnson), another costumed hero, in a drug dealer’s den. With a butterfly knife and her Mindy Stick (a staff weapon with two katanas at each end) Hit Girl stabs, slashes and chops off body parts until every criminal in the apartment is dead. The Dickies’ “Banana Split” is used as a soundtrack while the 11 year old girl kills everyone with glee.

4: “Hip to be Square” (1986)
Artist: Huey Lewis & The News
Movie: “American Psycho” (2000)
The complexity of Patrick Bateman’s (Christian Bale) intellect are exemplary in this scene. Bateman drugs his coworker, Paul Allen (Jared Leto) with a drink . The couches are covered with sheets and the floor with the style section of the newspaper. As he talks about Huey Lewis to Allen, Bateman puts on a rain coat and turns on “Hip to be Square.” He dances back to pick up an axe and speaks about how the band makes a statement through the song, all the while making a statement about himself. Bateman then axes down Allen with raw vigor and excitement.

3: “Goodbye Horses” (1988)
Artist: Q Lazzarus
Movie: “Silence of the Lambs” (1991)
Jame Gumb aka Buffalo Bill (Ted Levine), a serial killer has kidnapped a young girl, Catherine Martin (Brooke Smith) and locked her in a well in his basement. Q Lazzarus’s “Goodbye Horses” plays as Bill dresses in a women’s clothing and puts on makeup. He uses lipstick, jewelry, human skin and hair to doll himself up. Bill then sets up a camera to dance and experiment in front of it. The scene crosscuts between Martin trying to escape out of the well with Bill’s playtime. The scene shows the extent of Bill’s insanity and foreshadows what could become of Martin’s future.

2:”Stuck in the Middle With You” (1972)
Artist: Steeler’s Wheels
Movie: “Reservoir Dogs” (1992)
Vic Vega aka Mr. Blonde (Michael Madsen) has kidnapped a cop, Officer Marvin Nash (Kirk Baltz) after a heist. While his crew is out, Mr. Blonde is left alone in the safe house with a wounded accomplice and Officer Nash. Seizing the opportunity, he turns on the radio and takes out a razor from his boot. As “Stuck in the Middle With You” by Steeler’s Wheels plays on the radio, Mr. Blonde dances and slashes the officer’s face while taunting him. He then cuts the officer’s right ear off and gets a gallon of gasoline from his car. Still dancing, he drenches the officer with gasoline for what’s next.

1:”The Last Waltz” (1941)
Artist: from “Masquerade,” Last Waltz by Aram Khachaturyan
Movie: “Oldboy” (2003)
Aram Khachaturyan’s “The Last Waltz” is perhaps the most diversely and widely used soundtrack in a single film in the realm of psychotic thrillers. The movie depicts the life of Dae-su Oh (Min-sik Choi), an industrial worker, as he tries to find out the truth behind his mysterious imprisonment of 15 years. This terrifyingly beautiful melody is elegantly played through the most violent and delightful scenes in the movie. Through moments of love, death, sex and incest, the film shows the beauty in something ugly and the horror in something beautiful.


American Psycho – The TV Series

American Psycho_Movie BannerOh dear… American Psycho is headed to television. FX Channel has put in development an American Psycho drama series that takes place decades after the events in the 2000 movie starring Christian Bale and the Bret Easton Ellis novel on which the film was based. Lionsgate TV, whose sibling Lionsgate Films was behind the American Psycho feature, and FX Productions are producing the series shepherded by former Lionsgate Films head of production-turned producer Allison Shearmur and writer Stefan Iaworski. Described as an update of American Psycho, the drama series fast-forwards from the late 1980’s, when the movie was set, to present day. It will feature serial killer Patrick Bateman, now in his mid-50s but as outrageous and lethal as ever, taking on a protégé in a sadistic social experiment who will become every bit his equal — a next-generation American Psycho. The project will be written by Paradigm-repped Jaworski who will executive produce with Shearmur and Ed Pressman.