Revered cinematographer Roger Deakins has ‘never worked on a film with so many different sets and lighting challenges’ as ‘Blade Runner 2049.’
Denis Villeneuve’s sequel to Ridley Scott’s 1982 original film looks to be a jaw-dropping mix of visual feats that stay true to both the story and the technical innovation that made Blade Runner an instant classic. Villeneuve acknowledges this legacy, stating “I have massive respect for the world Ridley created. Blade Runner revolutionized the way we see science fiction.”
Villeneuve is likely the right man for the job, as he took science fiction down an entirely new road himself, ostensibly reinventing the hackneyed alien genre with 2016’s Arrival, for which he was nominated for an Academy Award in Directing.
Blade Runner 2049 indeed brings several heavy-hitters to the table to help ensure its success, including no less of a cinematographer than multiple Oscar-nominated Roger Deakins, who also shot for Villeneuve on 2015’s Sicario. No stranger to complex action movies (the James Bond hit Skyfall, for one), Deakins admits in the featurette, “I’ve never worked on a film with so many different sets and lighting challenges. Technically, it’s quite challenging.”
June 26, 2017 | Categories: Promotional, Uncategorized | Tags: Academy Award, Action, Arrival, Art, Blade Runner, CGI, Cyborg, Denis Villeneuve, entertainment, Film, Future, FX, Harrison Ford, Replicant, Rick Deckard, Ridley Scott, Roger Deakins, Ryan Gosling, Sci-Fi, science, Science Fiction, SFX, video, Violence | Leave a comment
Considered by many movie reviewers to be the greatest living film actress, Meryl Streep has been nominated for the Academy Award an astonishing 16 times, and has won it twice. Born Mary Louise Streep 62 years ago in 1949 in Summit, New Jersey, Meryl’s early performing ambitions leaned toward the opera. She became interested in acting while a student at Vassar and upon graduation she enrolled in the Yale School of Drama. She gave an outstanding performance in her first film role, ‘Julia’ (1977), and the next year she was nominated for her first Oscar for her role in ‘The Deer Hunter’ (1978). She went on to win the Academy Award for her performances in ‘Kramer vs. Kramer’ (1979) and ‘Sophie’s Choice’ (1982), in which she gave a heart-wrenching portrayal of an inmate mother in a Nazi death camp.
A perfectionist in her craft and meticulous and painstaking in her preparation for her roles, Meryl turned out a string of highly acclaimed performances over the next 10 years in great films like ‘Silkwood’ (1983); ‘Out of Africa’ (1985); ‘Ironweed’ (1987); and ‘Evil Angels’ (1988). Her career declined slightly in the early 1990s as a result of her inability to find suitable parts, but she shot back to the top in 1995 with her performance as Clint Eastwood’s married lover in ‘The Bridges of madison County’ (1995) and as the prodigal daughter in ‘Marvins Room’ (1996). In 1998 she made her first venture into the area of producing, and was the executive producer for ‘…First Do No Harm’ (1997) (TV). Awesome in ‘The Hours’ (2002), ‘Angels in America’ (2003) (TV) and ‘The Devil Wears Prada’ (2006).
Talented, humble, beautiful and a realist, when she talks about her future years in film, she remarked that “…no matter what happens, my work will stand…”