Reviews, articles, rants & ramblings on the darker side of the media fringe

The Kid Stays In The Picture

michel_comte_robert_evansIconic Hollywood producer and former studio head Robert Evans has partnered with Television 360 to develop a pay cable TV series about Hollywood in the 1970’s. They’ve made a deal with Fox 21, and Evans is exec producing with Guymon Casady, Dean Schnider and Scott Lambert. They are out to writers right now. The vision of the series is much darker than the contemporary inside Hollywood depicted in Entourage. Set in the ’70s with a creative tone similar to Casino, it involves the last days before studios were taken over by conglomerates, when they were run by wily entrepreneurs, and where there was a mob influence, drugs, sex, excess, casting couches, and some of the best movies made in the 20th century. The protagonist is an outsider who against the odds rises to become a king in Hollywood in a tale of power, legacy, and the American dream.

The series isn’t based on Evans — real anecdotes will be used in a fictitious storyline — but everyone who either read or, better yet, heard him read the audio of The Kid Stays In The Picture knows that Evans started as an actor and rose to the top of Paramount Pictures when that studio was nearly out on its feet. He, with a scrappy team of execs that included my former Variety editor Peter Bart, saved the studio by making classics including The Godfather, Love Story, Rosemary’s Baby, Harold And Maude, The Odd Couple, The Conversation, Serpico and others. Evans has plenty of stories to tell about that era.

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