Reviews, articles, rants & ramblings on the darker side of the media fringe

Posts tagged “Slasher

American Horror Story: Freakshow. Promo #1

FX has released its first official teaser for American Horror Story’s upcoming fourth season, subtitled Freak Show. It features a representation of the previously revealed killer clown having forced a young girl into being mutilated into a fallen angel.


The Conjuring’s Annabelle Gets Her Own Movie

Conjuring_AnnabelleFor all those fans of creepy dolls in movies, your wish has been granted. Warner Bros and New Line have made an October 3 date with Annabelle, the doll from their horror hit The Conjuring. The companies had set aside the frame for an Untitled New Line Horror Film, making the date and title official with their Conjuring spin-off. WB/New Line also have sequel The Conjuring 2 set to be released October 23, 2015. Annabelle, directed by John R. Leonetti and written by Gary Dauberman, is neither a prequel nor a sequel but centers on the doll seen in the 1970′s Rhode Island-set Conjuring, which starred Vera Farmiga and Patrick Wilson and was directed by James Wan. Peter Safran and Wan are producing Annabelle , which stars Annabelle Wallis (Peaky Blinders), Ward Horton, and Alfre Woodard.


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Rest But In Death – Berni Wrightson

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Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II

Leviathan: The Story of Hellraiser and Hellbound: Hellraiser II is a feature length documentary uncovering the history, making of and unknown details of the making of Clive Barker’s Hellraiser and Hellbound: Hellraiser II films.

With interviews and testimonies from those most closely involved, the filmmakers hope to bring a comprehensive insight to these classic cult films.

You can help their cause on the kickstarter page HERE


Outcast – By Robert Kirkman

outcast_robert-kirkmanThis title has been long anticipated and you can bet that has a lot to do with the name on the cover page. Kirkman is a non-stop dynamo with heavy hitter titles like The Walking Dead and Invincible under his belt, not just writing but creating the popular series. When it was announced he would be tackling a new horror title, anticipation was high. And damn was the wait worth it. Outcast is a comic that is introducing you into a whole new world head-first, it’s not going to tip toe you through the origins of the main character and general plot, it just plunges in and hits the ground running. And you keep up because it’s damn good. Like always, Kirkman does an excellent job at building real characters with realistic personalities and forty-four pages we have a demonic plot and a cast of characters we already know and sympathize for. It’s like reading a fantastic horror movie, where we get the bright sunny day exposition and then on a dime we get the gritty, terrifying plot threads. Artist Azaceta is a perfect fit for the title, creating smoky, grainy characters that fit into the world that’s being created. ShockTillYouDrop.


Audition – American Remake…

audition_posterI don’t understand how this will work but Terminator, Rambo, and Basic Instinct exec producer Mario Kassar is assembling an English-language adaptation of Audition, the infamous 1997 novel by Japanese author Ryu Murakami about a lonely widower who gets more than he bargains for when he puts out a fake casting call to find a new girlfriend. Audition was, of course, adapted in 1999 into a cringe-inducing cult film in its own right by Japanese helmer Takashi Miike. The new Kassar-produced version is based on the original Murakami novel and will transplant the story to an American setting.

In this version, to be directed by Richard Gray, Audition‘s unlucky protagonist is Sam Davis, who lives alone with his son following the death of his wife seven years prior and is convinced by a filmmaker friend to stage the fake auditions. The former ballerina with a mysterious past he falls for is now named Evie Lawrence, but otherwise details fall closely in line with Murakami’s best-seller.

Gray adapted the script and will tackle a fall shoot for Audition after filming wraps on his current project, thriller Sugar Mountain starring Jason Momoa. He also helmed and produced the Justin Long crime thriller The Lookalike, which Well Go USA is releasing this summer. DEADLINE.


Game of Thrones – By Rhianna Williams

Two incredible Game of Thrones artworks by Rhianna Williams.

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The Intruders – Trailer

BBC America dropped a trailer for their August 23 paranormal series The Intruders, about a secret society chasing immortality by taking over the bodies of others. The show, adapted from Michael Marshall Smith’s novel of the same name, is being spearheaded by Glen Morgan, a writer and executive producer of TV’s The X-Files and New Line’s Final Destination 1 and 3. With Blair Witch Project‘s Eduardo Sanchez and The Last Exorcism‘s Daniel Stamm directing episodes, the series is upping the ante with some serious horror and suspense. Set in the Pacific Northwest, John Simm stars as Jack Whelan, a former LAPD cop with a troubled history, whose quiet life is shattered when his wife Amy (played by Oscar-winner Mira Sorvino) goes missing. As calamity ensues, a sinister agent Richard Shepherd (James Frain) is embarking on a series of lethal executions, while a little girl (Millie Brown) runs away from home into a world of danger.


Batman: Arkham Knight

My son has all 3 current games in the ‘Arkham’ series and now can’t wait for the 4th installment… it looks as awesomely violent as ever.


When Animals Dream – Trailer

A sensual coming-of-age werewolf romance set in a small Danish coastal town, When Animals Dream fresh from its premiere in Critics’ Week at Cannes, is reminiscent of contemporary horror classic Let the Right One In. Sixteen-year-old Marie lives with her father and wheelchair-bound mother who is perpetually drugged. Marie takes a job at the local fishery, where she receives a fair amount of attention – especially from the young men.

As Marie becomes more interested in the opposite sex, her body begins to transform, and she questions her mother’s illness and a family history that is clearly being kept from her. Beautifully shot, and wonderfully performed by Sonia Suhl and Lars Mikkelsen (Mads’ older brother) in particular, When Animals Dream delicately combines deep emotion with tasteful gore.


Sin City: A Dame To Kill For – Trailer 2

Dimension has unveiled a new trailer for Robert Rodriguez‘s and Frank Miller‘s Sin City: A Dame To Kill For, adapted from Miller’s neo-noir graphic novels. The ultra-violent action crime thriller weaves two Sin City stories together into one hard-boiled narrative pitting the city’s thugs, lowlifes, and femme fatales against each other, with a cast that includes Jessica Alba, Joseph Gordon-Levitt, Josh Brolin, Eva Green, Mickey Rourke, Bruce Willis, Rosario Dawson, Juno Temple, Jaime King, Jamie Chung, Dennis Haysbert, and more. Sin City 2 hits theaters August 22nd.


Harbinger Down

With Harbinger Down, Alec Gillis pays homage to the monster movies of the late 70s and early 80s, specifically Ridley Scott’s Alien and John Carpenter’s The Thing, which both elevated rubber monsters to a new level of realism and visceral impact.

The most highly funded horror movie in Kickstarter’s history, Harbinger Down is a high-intensity “all practical effects” sci-fi creature feature that’s not just a movie, but a mission: to celebrate the art of ‘real monsters’ and share that love with a new generation and as an alternative to big studio CG driven films.

Check out more on the official webpage HERE and facebook page HERE


Prank – Alex Weight Interview

FINAL POSTER _billing list 001I managed to get an interview with Alex Weight, the writer/director of new horror film Prank a short in the vein of the fantastical slasher pics of the 80′s – Nightmare on Elm Street, Halloween.
Prank tells the story of those three young teenage boys (Richie, Bobby and Sam) who come together for just one night to catch up with an old friend they haven’t seen in years. It’s not until they arrive at their destination do we find out that all is not as it seems.

GEORDIE: Hi Alex, thanks for taking time out to answer a few questions about your new short horror film Prank. I’ll start with an assumption that Prank was influenced by your love of 80′s horror. What inspired the story and your drive to make the film?

ALEX: Hi Geordie, my pleasure. You’re very right, being a child of the 80’s I grew up with the classic Slasher films that defined the genre – Nightmare on Elm Street, Halloween, Friday the 13th. These movies included an element of fun and adventure, without becoming farcical (excusing maybe some of the later ones) but still delivering shocks. They captured the freedom and excitement of youth rebelling against a grownup world, but now also battling demonic evil. This trope was fun, though watching those kids strive against, essentially the same monster got me thinking.

When Jason Voorhees, Michael Myers and Freddy Krueger found themselves alive again for the first time, was revenge the first thought on their mind? Did they consider tracking down family and loved ones? Making contact with those who hadn’t spurned them in life? Were they re-born with pure hatred, or was that decision to follow destruction considered, deliberated on, then actioned? What if they were innocents? What if their death wasn’t born from a life of pain and suffering but an accident? Now, finding themselves alive again after many years, what path would they take?

This is how Prank was born. I wanted to tell the story from the other side. From the side of the monster. And about the choices that are made in the beginning of that rebirth. Retribution or forgiveness? Revenge or redemption?

Prank_still_2GEORDIE: The first thing that struck me at the location shoot the other week was the high production value of the film. It felt like a feature, the quality and scale of the set ups and the amount of cast and crew on hand was staggering for a short film. How difficult was it to pull the production together?

ALEX:  It was a huge production but I can’t take all the credit for it. It really was Aaron Bush’s (Producer) ability to pull together the huge crew in a very short amount of time that made us able to get the production to that level. I was just the guy saying that I wanted a crane shot, Aaron was the guy who made it happen.

From the beginning I had a strong vision for how I wanted the film to look. A lot of independent and short horror nowadays goes down the “found footage” path. Which definitely has its benefits, cost being one of them. I wanted to break away from this and use more traditional camera setups and staging. Especially if we were going to push the whole 80’s look throughout. Unfortunately, this also means you need a big team and a crew that know what they’re doing.

But since we were still working with a short film budget we had to pull in a lot of favours. Most people out there realise what it means when you say that you’re working on a short film. Everyone knows the limitations you have of time and budget. But we were so lucky that they came onboard anyway.

Prank_still_1GEORDIE: As I mentioned above, it was a very professional set-up and was very impressive to see you and your crew at work. How did the shoot go?

ALEX: Amazingly. Since it was my first time directing a live action shoot I couldn’t have been in better hands. Simon Harding (DP) has a huge amount of experience, once he understood the look and style we were going for he nailed it straight away. Which left me free to concentrate on the performance. Have to say, I was pretty spoilt.

Kayne Taylor (1st AD) kept everyone – including myself – running on time throughout both nights. Which was a massive task since when I first spoke to Kayne he told us we needed three nights. Unfortunately we could only afford two – always the way hey? – Getting it done in that time came down to Kayne pushing us all and staying very organised.

Everyone in the crew had a lot of experience, once they knew we had a plan it made it much easier for everyone to work quickly and efficiently. You lose a lot of time if you have everyone on set and then go searching for shots. We couldn’t afford to do this so we planned out every shot in boards before touching the camera.

GEORDIE: Prank feels very much like an homage to the classic 80′s horror we grew up on; there are a lot of elements that felt familiar from those movies without feeling like anything was lifted from any specific film.

ALEX: I feel horror nowadays has taken a turn for the worse. “Torture-porn” predominates the genre. Movies that just set out to mutilate the protagonists in as many gratuitous ways as possible. The sense of fun is gone, so has the fantastical. The villains in today’s movies are real people, born from the news and reality rather than another dimension. I want to bring back the monsters from the 80s, open the door to the other side and have some fun.

There was also a sense of adventure in 80s horror that I loved. The stories felt more personal, like you were in on the secret. These kids were out there dealing with monsters at night and bullies during the day, but the adult world never really intruded. That’s what made movies like Goonies and Stand By Me so great. We tried to get the essence of that feeling in Prank. Hopefully its there. But a lot of that comes down to casting. That energy and the acting style of that time. I think the kids we had did a great job of trying to capture it. I gave them all a bunch of 80s movies to watch as homework before the shoot.

Prank_still_4GEORDIE: My standard question to all Australian film makers. The Australian film industry is either in a healthy state or at deaths door. It seems to concentrate and be favoured by the critics for focusing on anything but genre flicks; as if evidence were needed Margaret and David At The Movies didn’t even bother to review Wolf’s Creek 2. What’s your take on the current state of the industry here?

ALEX: Yeah, that’s a hot topic at the moment isn’t it? Well, it’s probably been the same for a while, but it feels like the industry has been more vocal about it of late. It’s a difficult subject since no Australian film maker wants to be a traitor to their industry, but at the same time it becomes increasingly frustrating when the industry doesn’t respond in kind.

We took Prank to a few of the Australian funding bodies and were told outright that they don’t support genre films. There is obviously a “type” of Australian film that does get funding. But if you have no interest in making that type of film it becomes very difficult to get your film made. In the end – like many other Australian film makers – we had to go with private funding.

I find it especially frustrating since there is so many good stories out there that just don’t get told. I’m all for art-house cinema, but I also feel that in order to support the industry and keep people in Australia we need to follow the American format a bit more and start thinking about making commercial movies that people want to watch. At the end of the day its about selling tickets. If you sell lots of tickets you’re going to be able to make another movie and keep your crew hired. Then hey, make your movie about the old lady who makes goat cheese for truck drivers in the outback.

Prank_still_6GEORDIE: Australia has a long and infamous history in the horror genre, from the 70′s and 80′s grindhouse schlock through to the more recent success of Wolf Creek, Saw and The Loved Ones as well as the independent Redd Inc. and The Tunnel. What do you hope to bring to the mix with Prank?

ALEX: I love all those films. I think they were incredibly successful at what they were setting out to do. Especially the Grindhouse films. Some are just brilliant in a completely schlock way. But there’s a certain type of film and look that people associate predominately with America. Why? I don’t get it. It seems if you set your movie in safe suburbia, kids on bikes, tree houses etc… people think you’re shooting your film in America. Its like Australia is only made up of the outback, and grungy alleyways in Surry Hills. There’s just a big grey void in between. I want to remind people that we don’t have to take ourselves so seriously, and that a movie can be Australian without pandering to colloquial cliches.

There are a lot of film makers out there who feel the same and doing some brilliant work, e.g. Jennifer Kent’s The Babadook. I’m hoping that Prank can add to the slowly growing pile of commercially viable Australian genre films.

Prank_still_3GEORDIE: The financially successful themes within the horror genre are cyclical; 2 1/2 years ago I asked Courtney Solomon what he thought was the next big thing in horror and he stated that it was the Ghost Stories and the Supernatural. He nailed it, no pressure but what do you hope to see as the next big thing in the genre and why?

ALEX:   Haha! No pressure at all. Sure, why not. Well, let’s take a look at what we’ve had recently. I think the Ghost run has been fantastic with films like The Conjuring, Mama, Insidious etc… but you’re right, it’s probably played out now. Moving forwards it looks like we’re getting another rash of remakes Carrie, Poltergeist… but that’s always going to be the case. I dunno, thats a hard one. I think the whole “found footage” genre has run its course as well. I guess if I’m going to guess, I’d say that horror – more than any other type of genre – is a reflection of the predominate global fear, so… Right now there’s a lot of media focusing on bigger problems people can’t control – global warming, dwindling resources, overpopulation etc… the kneejerk reaction to this is people withdraw, hole up with their own supplies to protect their little family unit. I’d say we’re going to start seeing movies that play around with this idea. Along the lines of where “Take Shelter” started but pushing it further. Families living underground, crazy extremist preper camps. Not quite dystopian, but what people do just before the shit hits the fan.

Prank_still_5GEORDIE: An easy one to finish. You’re obviously a big fan of the horror genre, what is your favourite horror film, what you remember from when you first saw it and why it’s still a favourite? Also, any new releases that have impressed you over the last few years?

ALEX: Wow. Just one? It’s not original but I’m going to have to go with Evil Dead 2. It’s just fucking great. I remember everything about watching for the first time. It’s scary, gross, funny. It just has every element a good horror film should have. Shit, any film should have.

So I saw it again recently and was just blown away with how well it’s made. The steady-cam shots are still amazing, the build-up to the first scare is handled beautifully. Some of the lines are so hokey but it all just works because it knows exactly what it is and doesn’t try to be anything different. That’s probably why I like it so much.

As for recent films? The two big standouts for me have been Cabin in the Woods and Drag Me To Hell. Both are incredibly well done. Plus both managed to get that sense of fun and adventure while still having some good shocks as well. I know I go on about it, but it’s just such a hard thing to do well.

Prank_Alex-WeightGEORDIE: I’m assuming that you aim to screen Prank on the festival circuit, when and where will we be able to see the film? Thanks again for your time with the interview. Good luck with Prank.

ALEX: Coming to major festivals soon. Thanks Geordie, been a pleasure. Check out the films facebook page HERE.


Texas Chainsaw Massacre in 4K

Nicolas Winding Refn, director of films such as Drive and Valhalla Rising, is a big horror fan. In fact, to hear him tell it, a horror film is responsible for his desire to make movies in the first place. At Cannes this year, Refn introduced a screening of the 4k restoration of Tobe Hooper‘s The Texas Chain Saw Massacre as part of the the Directors’ Fortnight program.

Refn on the film: The curse of the film is that it’s a masterpiece… When you make a film that goes beyond filmmaking, it’s no longer just a movie… Seeing a movie that goes from being a movie to an art form, and we are in the mecca of art forms of cinema. I wanted to really give the Palme d’Or to Tobe Hooper, because he should’ve gotten it 40 years ago. I want him to know that he has made one of the greatest art achievements, not films, but art achievements in the modern century. So I think that when he comes on stage we can give him an emotional Palme d’Or.


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Horror Icon Garden Gnomes

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Best Horror Films of 3013 – Early 2014

Best-Horror_2013-20142013 to early 2014 (we get some movies late down here in Australia. Last year was a better than average year in the horror genre. For all the usual whining and complaints on numerous horror-themed websites, as well as here, there was some good work over the last year.
So, here’s my list of best and worst of 2013 (and a bit), from what I’ve seen…

BEST CINEMA RELEASE FILMS
Evil Dead (I know a lot of people hated it, but it’s my list and I liked it)
Maniac
Stoker

BEST DIRECT TO VIDEO / VOD FILMS
American Mary
Berberian Sound Studio
We Are What We Are

BEST FOREIGN LANGUAGE HORROR
Here Comes The Devil

BEST DIRECTOR
Franck Khalfoun – Maniac
Special mention to Jen & Sylvia Soska for American Mary

BEST ACTOR
Elijah Wood – Maniac

BEST ACTRESS
Katherine Isabelle – American Mary

BEST SCREENPLAY
Jen & Sylvia Soska – American Mary

BEST SCORE
Rob – Maniac

BEST MAKE-UP EFX
Roger Murray & Jane O’Kane – Evil Dead

DISAPPOINTMENT
Carrie – Good performances but just a bit lame.

WORST FILM
Frankenstein’s Army – More of that CG ‘Horror’ started by the godawful Van Helsing, ‘perfected’ by Underworld and now everywhere… and I hate it all.

It’s obvious from the list that I really liked American Mary. It was probably my favourite horror movie of the year… best story and the Soska twins would have taken out best direction if Maniac hadn’t been so incredibly well constructed by Franck Khalfoun. Feel free to comment…


Hannibal – Season 2 Poster Art

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“The idea behind these posters was to play off the duality and hidden nature of Hannibal Lector. I’m a huge fan of the show, and am captivated whenever Hannibal is on screen. Outwardly he’s an immaculately put together gentleman with refined taste, but underneath the carefully constructed facade is a horrible killer.”

“One poster shows you how Hannibal wants you do see him, and the other shows him for what he really is. The blood drips act as visual elements to hint at the gory nature of the show, but also hint at being prison bars. Anyone who’s read the books or seen the movies knows he’s going to be caught one day. But when?” – Justin Erickson, Phantom City Creative



KRUEGER (The Slasher from Elm Street) – Part 4

The fourth installment to the fan film webseries KRUEGER (Tales from Elm Street), by director Chris R. Notarile. Previous episode HERE

In Springwood, long before he became a demon of dreams, Freddy Krueger stalked the streets under another name – The Springwood Slasher. Our fourth story picks up where our previous entry left off with a young boy on the run from his abductor- Freddy. Hiding out in an old junkyard, Mikey attempts to evade the Springwood Slasher in a daring escape. But will he get away and reunite with his family? Or are his days numbered?


Halloween – The Complete Collection

halloween_movie_posterAfter the announcement of the complete Friday the 13th box set last year, we now have a fantastic complete Halloween box set from distribution partners Anchor Bay Entertainment and Scream Factory. Here’s the press release details:

For the legions of Halloween fans, the Deluxe Edition boasts 15 discs and contains all the Halloween feature films Halloween, Halloween II, Halloween III: Season of the Witch, Halloween 4: The Return of Michael Myers, Halloween 5: The Revenge of Michael Myers, Halloween: The Curse of Michael Myers, Halloween H20, Halloween: Resurrection, Rob Zombie’s Halloween and Halloween II. The set includes the NEVER BEFORE RELEASED producers cut of Halloween: The Curse of Michael Myers as well as the ultra-rare network TV version of the original Halloween, the network TV version of Halloween II, plus the unrated versions of Rob Zombie’s Halloween and Halloween II. It is packed with hours of BRAND NEW bonus features including new interviews with cast and crew from the entire franchise! In response to years of fan feedback, the first Halloween will now also include the original mono audio track and the set will include both versions of the original Halloween-the original Blu-ray release and the recently remastered 35th Anniversary version with the mono track added back in! It also comes with a limited edition 40-page book written by Michael Gingold of Fangoria Magazine. The collectible packaging will include a newly commissioned illustration on the outer case and each film will be in its own black Blu-ray case with the original theatrical one sheet as the key art. This deluxe set carries an SRP of $169.99.

“This compilation is the ultimate collector’s item for fans of the Halloween films and a testament to all the wonderful talent that have worked on them,” remarked Malek Akkad, President of Trancas International Films and son of series producer Moustapha Akkad. “The partnership between Anchor Bay Entertainment and Scream Factory to present fans for the first time with all the Halloween films in one definitive package is a tribute to everyone ñ including my father ñ who made these films the terrifying classics they are today.”

The 10-disc Edition includes the original theatrical versions of the Halloween films and will include select bonus features. SRP is $129.99.

Both sets pre-book August 27 and will be distributed by Anchor Bay Entertainment with bonus features developed and created by Scream Factory and Anchor Bay. Artwork and bonus features to be announced in the next couple of months.


Once Upon A Time In Jerusalem

From the guys who brought you “Fist of Jesus” (see the ‘epic’ short below) and the classic and best short film of the Night of Horror Film Festival Zombie Night: “Brutal Relax” comes “Once Upon A Time in Jerusalem.” The adventures of Jesus and Judas in a world full of Zombies, Demons, post-apocalyptic Punks, Mutants, Cowboys, the Roman Army, Monsters, Mythological Creatures and Steampunk technology in a Troma 80′s style. Help these guys get it made by donating at IndieGoGo HERE


Horror Icon Art From VHS Tapes

VHS_Horror_Icon_ArtOld VHS turned into… old VHS Horror icons by artist Patrick Massobrio. Click on the image to scroll through larger individual images of each Horror Icon. Check out his site for more weird and wonderful art HERE


Super Duper Alice Cooper

Super Duper Alice Cooper is the twisted tale of a teenage Dr Jekyll whose rock n roll Mr Hyde almost kills him. It is the story of Vincent Furnier, preacher’s son, who struck fear into the hearts of parents as Alice Cooper, the ultimate rock star of the bizarre. From the advent of Alice as front man for a group of Phoenix freaks in the 60′s to the hazy decadence of celebrity in the 70′s to his triumphant comeback as 80′s glam metal godfather, we will watch as Alice and Vincent battle for each others’ souls. The film is the first ever ‘doc opera’ – a dizzying blend of documentary archive footage, animation and rock opera that will cement forever the legend of Alice Cooper… my childhood hero.


Friday the 13th the Series… Again

Friday-the-13th_Jason-Voorhees_by_Ytse80Jason Voorhees is ready to slash his way to small-screen stardom. Emmett/Furla/Oasis Films and Crystal Lake Entertainment have set a deal to produce a new hour-long dramatic series based upon the characters and settings of Friday the 13th. That’s average news, not sure how this would play out… bad news is that Sean S. Cunningham, who helmed the 1980 original, will be executive producer along with EFO Films principals Randall Emmett & George Furla, Mark Canton of Atmosphere Entertainment MM, Steve B. Harris of Diversion3 Entertainment, and Ted Fox of Fox Entertainment. Also producing is Horror Inc. president Robert Barsamian, who produced the features… That’s an awful lot of ‘interference’ from a production standpoint, it looks bad already.

Bill Basso (Terminator) and Jordu Schell (Avatar) have been set to script a storyline that re-imagines Jason in multiple time periods. Roy Knyrim (Gods And Monsters) of SOTA FX will coordinate the special make-up effects for the series. If you recall, the original was set at a summer camp, closed because of the drowning of an unattended child. Promiscuous counselors tried to re-open the place, but they began dying. Jason actually took root as the indestructible villain in the second film, with his signature hockey goalie mask coming later. The series is contemporary, focusing on the eclectic characters of Crystal Lake who are forced to confront the return of the killer, as new secrets about his wacky family are revealed.

“Jason Voorhees is synonymous with the genre and we plan to build on this legacy with a provocative and compelling take that expands upon the storylines that have already thrilled millions worldwide,” explained Cunningham. Said Barsamian: “Expect the show to take viewers in some exciting new directions that we’re confident will not only excite existing fans of Friday The 13th but also attract new audiences to the situations and characters that inhabit the small town of Crystal Lake.”

Credit where it’s due, Cunningham made the original Friday the 13th, however that movie apart, Cunningham has never understood Jason, he’s never understood why he worked or why he was so popular. Since his return to the franchise he’s done two of the worst series movies in Jason Goes to Hell and Jason X. What he’s always wanted to do and fail at, is make over-sexed-teen comedies. This is a money grabbing exercise… again.


Cabin Fever – Remake!

cabin_fever_poster_xlgReally, it’s come to this… Cassian Elwes and Evan Astrowsky are producing a remake of Cabin Fever. Whether original creator and director Eli Roth is involved or not, and to what degree the remake/reboot/re-imagining will follow the original is up for debate. It all just seems a bit too soon…

The original film featured a handful of college graduates who vacation at a remote cabin in the woods, where they become infected with a voracious flesh-eating virus… gore aplenty. It was a great horror debut.

This news seems to be tied in with the upcoming relase of Cabin Fever: Patient Zero on June 26th, a prequel to Roth’s original film. The plot for Patient Zero is: A group of friends enjoy a bachelor cruise in the Caribbean and stumble upon a research facility on a remote island where a deadly virus is released.

The remake of Cabin Fever seems to be aimed as a follow up to this prequel…

Eli Roth is in for an incredibly busy year with the long awaited release of The Green Inferno, another horror flick Knock, Knock, about two girls who seduce a married man and make his life hell. He is also developing a sequel to Green Inferno as well as possibly directing the Dracula flick Harker.

On the production side he helped develop a film called Clown directed by Jon Watts who made a fake trailer last year in which he attached Roth’s name. Check out the fake trailer and the genuine one below.



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